Directed by | |||
| Michele Civetta | |||
Writing credits(in alphabetical order) | ||
| Michele Civetta | writer | |
| Sean Lennon | writer | |
Produced by | |||
| Michele Civetta | .... | co-producer | |
| Manu Gargi | .... | producer | |
| Griffin Marcus | .... | producer | |
Original Music by | |||
| Sean Lennon | |||
Cinematography by | |||
| Bryan Newman | |||
Film Editing by | |||
| Joshua Ferrazzano | |||
| Jenny Golden | |||
Casting by | |||
| Katie Rose Taylor | |||
Production Design by | |||
| Jeff Higinbotham | |||
Art Direction by | |||
| Nick Semmens | |||
Costume Design by | |||
| Negar Ali | |||
| Justin Leitstein | |||
Makeup Department | |||
| Helen Evans | .... | key hair stylist | |
| Alexis Kelley | .... | makeup department head | |
| Steve Costanza | .... | additional makeup (uncredited) | |
Production Management | |||
| Darius Fisher | .... | post-production supervisor | |
| Opender Singh | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ted Campbell | .... | second assistant director | |
| Jonathan Haug | .... | first assistant director | |
Sound Department | |||
| Ethan Beigel | .... | sound re-recording mixer | |
Visual Effects by | |||
| Darius Fisher | .... | visual effects supervisor: Digital Neural Axis | |
| Melanie Franciosi | .... | composite supervisor | |
| Steven LaMorte | .... | creative director: Nuncle Group, "Wait For Me" | |
| Zack Nederlander | .... | visual effects supervisor | |
| Emil Kahr Nilsson | .... | animation director: Nuncle Group, "Wait For Me" | |
| Nuncle | .... | visual effects supervisor | |
| John Robson | .... | digital compositor | |
| John Robson | .... | visual effects supervisor (segments "Wait For Me", "Headlights") | |
Stunts | |||
| Anthony De Longis | .... | sword master | |
Camera and Electrical Department | |||
| Ryan Copeland | .... | second assistant camera | |
| Jonathan Cushing | .... | assistant chief lighting technician | |
| Michael Mansouri | .... | camera operator | |
| Michael Mansouri | .... | digital imaging technician | |
| Michael A. Nash | .... | camera operator: additional photography | |
| Michael A. Nash | .... | gaffer | |
| Michael Rizzi | .... | camera operator | |
Animation Department | |||
| John Robson | .... | animator | |
Editorial Department | |||
| Darius Fisher | .... | on-line editor | |
| Robyn Semien | .... | assistant editor | |
Other crew | |||
| Matthew R. Evans | .... | production assistant | |
| Matthew Pollino | .... | choreographer: roller skating | |
| John Robson | .... | creative director | |
Thanks | |||
| Brian Young | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Musical section | IMDb USA section | Add this title to MyMovies |
It's incredibly beautiful, and tells the story very well. With well-composed tunes it goes through costume drama, to animated film, to fantasies with mermaids in the ocean. At first the beauty amazes you, and then you realize just how complex it is.
The films are different little pieces of the story, some say more than others, some are connected to each other.
Dead Meat: a great opening. It's a costume drama piece. Very beautiful, dramatic. Fencing scene.
Parachute: a beautiful scene at a kind of circus place. Deals with the question of what's real or not. Leaves you puzzled.
Wait For Me: a wet fantasy, so to speak. Mermaids and a Lennon in a boat. Beautiful, embroidered history of lost love.
Friendly Fire: about the relationship between the girlfriend and the best friend. Lennon plays his late friend Max Leroy.
Spectacle: seems like a bagatelle at first. You laugh at it, but you will realize it's a bit deeper than you thought.
Tomorrow: Beautiful song, video is beautiful but doesn't really do the song just.
On Again, Off Again: connected with the Friendly Fire film. Symbolic way of showing that he's been blind.
Headlights: sort of a break, it's more like a music video than the other films. Its strenght is it's beauty. Not much of the story in it.
Would I Be The One: a follow up to Headlights. An animated adventure, beautiful in it's simplicity. Also bears a message.
Falling Out Of Love: probably the most beautiful of the videos. Takes on where On Again, Off Again left off. It's dramatic, touching, and the end of the story.