| Photos (see all 60 | slideshow) | Videos (see all 5 videos ) |
| Pell James | ... | Brier Tucket | |
| Lauren LeMay | ... | Nightclub Dancer (as Ana Talos Mathes) | |
| Steven Strait | ... | Luke Falcon | |
| Shannyn Sossamon | ... | Josie | |
| Ashlee Simpson-Wentz | ... | Clea (as Ashlee Simpson) | |
| Kip Pardue | ... | Euan Falcon | |
| Carrie Fisher | ... | Carrie | |
| Stephen Moyer | ... | Mick Benson | |
| Fisher Stevens | ... | Garrett Schweck | |
| Perrey Reeves | ... | Michelle | |
| Peter Weller | ... | Wick Treadway | |
| Melissa Lawner | ... | Christy | |
| Cameron Thor | ... | Cameron | |
| Brian Swibel | ... | Jason (as Brian Scott) | |
| Ewan Chung | ... | Brendan, Garrett's Assistant | |
| Brittany Ishibashi | ... | Trapeze Instructor | |
| Mann Alfonso | ... | Bat Guy | |
| Don Smith | ... | Mint Bartender | |
| Meghan Lynch | ... | Mint Bargirl | |
| Shaina Fewell | ... | Pretty Girl at Mint | |
| Rachel Sterling | ... | Pretty Girl at Mint | |
| Stephanie Mace | ... | Waitress at Mint | |
| Natasha Soudek | ... | Stylist | |
| Sasha Gelbart | ... | First Turk | |
| Dan Callahan | ... | Second Turk | |
| Jesse Burch | ... | Airline Rep | |
| Megan Kuhlmann | ... | Ticket Counter Agent | |
| Earl Carroll | ... | Airport personnel | |
| Lori Heuring | ... | Flight Attendant | |
| Craig Watkinson | ... | Onlooker | |
| Tami Humphrey | ... | Woman | |
| Lauren Zelman | ... | Bakery Waitress | |
| Carolina Cerisola | ... | Nightclub Dancer | |
| Hannah Feldner-Shaw | ... | Trippy Nightclub Dancer | |
| Vai Au-Harehoe | ... | Trippy Nightclub Dancer (as Vaitiare Au-Harehoe) | |
| Melissa Cross | ... | Extra Reporter | |
| rest of cast listed alphabetically: | |||
| Ritche Lago Bautista | ... | Nightclub Dancer | |
| Jennifer Cadena | ... | Girl at Concert | |
| Shelley Dowdy | ... | Jenn | |
| Tati Edwards | ... | Band Dancer (as Tatiana Katryne) | |
| Levi Ellsworth | ... | Viper Room patron | |
| Elena Goodman | ... | Night Club Manager | |
| Harrison Held | ... | KCRW Engineer | |
| Heidi Johanningmeier | ... | Pretty girl on the boardwalk | |
| Shahla Kareen | ... | Mick's girl | |
| Mikey Kelley | ... | (voice) | |
| Alycia Lee | ... | Party Girl | |
| Christina Lindley | ... | Teenager | |
| Kimberly Mcgee | ... | Girl at concert | |
| Tony Napoli | ... | Bartender | |
| Preston Nativo | ... | Runyon Canyon Toy Puppy | |
| Sasha Perl-Raver | ... | Rollerskating Girl on Beach | |
| Angel Princess | ... | Nightclub Dancer | |
| Bruna Raynaud | ... | Party Girl at Concert | |
| Tony Shore | ... | Bass Player | |
| Andy Signore | ... | Bong Salesman | |
| Frederick Martin Smith | ... | Drummer | |
| Kaleti Williams | ... | Samoan Wrestler | |
| Anthony Yniguez | ... | Guy at Concert (as Anthony Locke) | |
| Chris Blount | ... | Cute boy at Mint (uncredited) | |
| Shane Houston | ... | Friend (uncredited) | |
| Kuma | ... | Luke's Runyon Canyon Dog (uncredited) | |
| A.J. Presley | ... | Nightclub Dancer (uncredited) | |
| Sadie | ... | Luke's Runyon Canyon Dog (uncredited) | |
Directed by | |||
| Meiert Avis | |||
Writing credits(in alphabetical order) | ||
| John Galt | written by | |
Produced by | |||
| Michael Burns | .... | producer | |
| Eberhard Kayser | .... | executive producer | |
| Gary Lucchesi | .... | producer | |
| Marco Mehlitz | .... | producer | |
| Michael Ohoven | .... | producer | |
| Michael Paseornek | .... | executive producer | |
| Tom Rosenberg | .... | producer | |
| Jordan Schur | .... | executive producer | |
| Joe Simpson | .... | executive producer | |
| Bic Tran | .... | producer | |
| Mike Upton | .... | line producer | |
Original Music by | |||
| David Baerwald | |||
Cinematography by | |||
| Danny Hiele | (director of photography) | ||
Film Editing by | |||
| David Codron | |||
Casting by | |||
| Jennifer L. Smith | |||
Production Design by | |||
| Philip Duffin | |||
Art Direction by | |||
| Austin Gorg | |||
Set Decoration by | |||
| Lisa Tong | |||
Costume Design by | |||
| Jennifer Rade | |||
Makeup Department | |||
| Laura Berman | .... | assistant hair stylist | |
| Annemarie Bradley | .... | key hair stylist: New York | |
| Jacklin Masteran | .... | assistant hair stylist | |
| Ned Neidhardt | .... | makeup artist | |
| Kerrie R. Plant | .... | key makeup artist: New York (as Kerry R. Plant-Price) | |
| De'Ann Power | .... | additional hair stylist | |
| Lauran Upshaw | .... | assistant hair stylist | |
| Johnny Villanueva | .... | hair department head (as John Villanueva) | |
| Nacoma Whobrey | .... | assistant makeup artist | |
| Douglas Noe | .... | makeup department head (uncredited) | |
Art Department | |||
| Aaron Dick | .... | set dresser | |
| Mark Finer | .... | art department production assistant | |
| Shane T. French | .... | art department assistant | |
| Rob Henning | .... | leadman | |
| Stacy L. Henning | .... | set dresser | |
| Eric LaBonte | .... | set dresser | |
| Moe Moe Lwin | .... | set dresser | |
| Robert 'Cass' McEntee | .... | construction coordinator | |
| Richard Poulain | .... | storyboard artist | |
| Doug Scott | .... | lead | |
| Marissa Zajack | .... | art department coordinator | |
Sound Department | |||
| Jeremy Balko | .... | foley mixer | |
| Matthew C. Beville | .... | adr mixer | |
| Josh Bower | .... | boom operator | |
| Dhyana Carlton-Tims | .... | assistant sound editor | |
| Alan Freedman | .... | adr mixer | |
| Dean Hovey | .... | sound editor | |
| Dean Hovey | .... | sound effects editor | |
| Richard Kitting | .... | foley editor | |
| Sterling Moore | .... | utility sound | |
| Andrew Morgado | .... | first assistant sound editor | |
| Jay Nierenberg | .... | supervising sound editor | |
| Stuart Provine | .... | sound effects editor | |
| Eric Raber | .... | digital sound transfer engineer | |
| Vic Radulich | .... | adr editor | |
| Buck Robinson | .... | production sound mixer | |
| Shelley Roden | .... | foley artist | |
| Cathie Speakman | .... | supervising adr editor | |
| Thomas Varga | .... | sound mixer: New York | |
Visual Effects by | |||
| Ryan Beadle | .... | digital I/O | |
| Mark Dornfeld | .... | visual effects supervisor | |
| R.J. Harbour | .... | digital compositor | |
| Shaina Holmes | .... | digital compositor | |
| Shaina Holmes | .... | digital coordinator | |
| Nicholas Kim | .... | digital compositor | |
| Nicholas Kim | .... | main title design | |
| Lori C. Miller | .... | digital compositor | |
| Amani Williams | .... | digital compositor | |
Stunts | |||
| Steve Hart | .... | stunts | |
| Kym Stys | .... | stunts | |
Camera and Electrical Department | |||
| Conrad Castor | .... | camera loader | |
| Joseph Dianda | .... | key grip | |
| Christopher Glasgow | .... | dolly grip | |
| Josh Harrison | .... | first assistant camera | |
| Danny Hiele | .... | camera operator: "a" camera | |
| Rob Koch | .... | assistant camera: New York | |
| Paul Lambiase | .... | key rigging grip | |
| Fritz Marx | .... | best boy electric | |
| Todd England Nicodemus | .... | best boy grip | |
| Lorenzo Porras | .... | second assistant camera | |
| Justin Quach | .... | assistant camera | |
| Charles Sears | .... | electrician | |
| David Sheetz | .... | electrician | |
| Peter Stone | .... | additional still photographer | |
| Michael Stumpf | .... | camera operator | |
| Michael Stumpf | .... | steadicam operator | |
| Deron Tse | .... | additional grip | |
| Alpheus Underhill | .... | rigging grip | |
| Randy Williamson | .... | first assistant camera | |
| Chuck Zlotnick | .... | still photographer | |
Casting Department | |||
| Sasha Adkinson | .... | extras casting | |
| Jennifer Ricchiazzi | .... | casting associate | |
| Laura Verbeke | .... | location extras casting assistant | |
Costume and Wardrobe Department | |||
| Michelle Lynette Bush | .... | assistant costume designer | |
Editorial Department | |||
| Jenny Cho | .... | post-production assistant | |
| Colby Enders | .... | first assistant editor | |
| Mark McCoy | .... | post-production coordinator | |
| Ken Mowe | .... | additional editor | |
| Kurt Smith | .... | color timer | |
| Jeff Smithwick | .... | colorist: video master | |
Music Department | |||
| Michael Baber | .... | music editor | |
| David Falzone | .... | music supervisor | |
| Chris Fudurich | .... | composer: additional music | |
| Tim Myers | .... | musician | |
| Rebecca Rienks | .... | music coordinator | |
Transportation Department | |||
| Alex E. Burns | .... | driver | |
| Angel Desanti | .... | transportation captain | |
| J. Armin Garza II | .... | driver: camera car | |
| Geno Hart | .... | transportation coordinator | |
| Steve Larson | .... | transportation dispatcher | |
| Glen Mathias | .... | transportation co-captain | |
| John Pellegrino | .... | driver | |
Other crew | |||
| Bree Bailey | .... | assistant: Michael Paseornek | |
| Rob Baldwin | .... | assistant location manager | |
| Cassandra Barbour | .... | rights and clearances | |
| Ilsa Berg | .... | assistant: Gary Lucchesi | |
| Erin Carroll | .... | stand-in | |
| Sarah Clifford | .... | animal trainer | |
| Sharon C. Dietz | .... | production coordinator | |
| Claire Doré | .... | animal wrangler | |
| Shawn Dyrdahl | .... | production assistant | |
| Yon Elvira | .... | supervisor: assets and production publicity, Lions Gate Films | |
| Joel Goldes | .... | post-production dialect coach: Shannyn Sossamon | |
| Lisa Gooding | .... | legal supervisor | |
| Dorottya Hegedus | .... | assistant: Mike Upton | |
| Carrie Mae Jones | .... | first assistant accountant | |
| Fay Kato | .... | adr loop group | |
| Charlie Kimball | .... | production office assistant | |
| Ahmed Kirdar | .... | set production assistant | |
| Kim Lindemeon | .... | animal wrangler | |
| Daniel MacArthur | .... | production coordinator: Lions Gate Films | |
| Nathan Maruccio | .... | craft service | |
| Kathy McCurdy | .... | key assistant location manager | |
| George McDowell Agnew | .... | key location manager | |
| Robert M. Melnik | .... | executive vice president of business affairs | |
| Curtis A. Miller | .... | director of production: Lions Gate Films | |
| Keri Moorhouse | .... | production assistant | |
| Susan T. Parsons | .... | production coordinator: New York | |
| Jennifer Petrilla | .... | assistant: Michael Burns | |
| Sarah Pustilnik | .... | assistant: Michael Ohoven | |
| Emily Rice | .... | post-production accountant | |
| Amber N. Roy | .... | business and legal affairs | |
| Kate Schriver | .... | assistant: Tom Rosenberg | |
| Laura Sevier | .... | rights and clearances | |
| Amanda Shamis | .... | business affairs coordinator | |
| Yael Shoulian | .... | assistant: Meiret Avis | |
| Frances Simonovich | .... | assistant production coordinator | |
| Donna Sloan | .... | senior vice president of production: Lions Gate Films | |
| Sharon Smith | .... | production assistant | |
| Mary C. Snyder | .... | title designer | |
| Bernhard Speck | .... | production controller: Cinerenta | |
| Haroula Spyropoulos | .... | stand-in | |
| Bernadette Tanchauco | .... | production accountant | |
| Rob van de Laar | .... | set production assistant: New York | |
Thanks | |||
| Mimi Clarke | .... | special thanks | |
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| The Doors | Ray | This Christmas | Just a Walk in the Park | Dreamgirls |
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Thought the plot, the characters, the setting, and especially the music fit in every way the tunes, especially "Smart In A Stupid Way" and "Boomerang". Undiscovered has a musician's feel that non-musician's could easily miss. Life of musicians is hectic enough, as in all areas of performing arts. Add to that formula an attempt at true romance while trying to pull it all off with an artist's feel, even by actors playing musicians, and that's quite a feat. This movie was obviously not meant to be some chromed rich kid glamor story about rock musicians. It's a picture of real life in the quest for fame and musical discovery, which in final leans more to the side of musical creation than performing. Thus its setting has that raw quality of down to earth smelly club carpet intermixed with a glamor chase, eventually resulting in neither, but instead a down home one on one relationship with one's music and one's lover.
The soundtrack is excellent, the pop song composition is rich, and the musical performers are 'tight'. Some of the AR record scouts are slimy, which is not totally accurate in the real world, but enough to get the point across in the movie that songwriting carries many more benefits than performing.