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Directed by | |||
| Mark Waters | |||
Writing credits(WGA) | ||
| Peter Tolan | (screenplay) and | |
| Leslie Dixon | (screenplay) | |
| Marc Levy | (novel "If Only It Were True") | |
Produced by | |||
| Veronica Brooks | .... | associate producer | |
| David B. Householter | .... | executive producer (as David Householter) | |
| Marc Levy | .... | co-producer | |
| Laurie MacDonald | .... | producer | |
| Walter F. Parkes | .... | producer | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Daryn Okada | (director of photography) | ||
Film Editing by | |||
| Bruce Green | |||
Casting by | |||
| Marci Liroff | |||
Production Design by | |||
| Cary White | |||
Art Direction by | |||
| Maria L. Baker | |||
Set Decoration by | |||
| Barbara Haberecht | |||
Costume Design by | |||
| Sophie Carbonell | (as Sophie de Rakoffl) | ||
Makeup Department | |||
| Simone Almekias-Siegl | .... | key makeup artist | |
| Steve Artmont | .... | makeup department head | |
| Cydney Cornell | .... | hair stylist: Ms. Witherspoon | |
| Judith A. Cory | .... | key hair stylist | |
| Becky Cotton | .... | key makeup artist | |
| Gretchen Davis | .... | makeup artist: San Francisco | |
| Howard Leonard | .... | hair stylist: San Francisco | |
| Anne Morgan | .... | hair designer: Ms. Witherspoon | |
| Charlotte Parker | .... | hair stylist (as Charlotte A. Parker) | |
| Molly Stern | .... | makeup artist: Ms. Witherspoon (as Molly R. Stern) | |
| Roxane Griffin | .... | additional hair stylist (uncredited) | |
| Joel Harlow | .... | makeup designer: Harlow FX (uncredited) | |
| Rob Hinderstein | .... | special makeup effects artist (uncredited) | |
| Heather Plott | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Stephanie Ito | .... | post-production supervisor | |
| Michelle Morrissey | .... | production supervisor | |
| Lope Yap Jr. | .... | unit production manager: San Francisco | |
Second Unit Director or Assistant Director | |||
| Vernon Davidson | .... | additional second assistant director | |
| David Hakim | .... | assistant director: San Francisco | |
| Matthew Heffernan | .... | additional assistant director | |
| Paula Janos | .... | additional second assistant director | |
| Eric A. Pot | .... | second assistant director | |
| Benjamin Rosenberg | .... | first assistant director | |
| Robert 'Skid' Skidmore | .... | second second assistant director | |
Art Department | |||
| Lawson Brown | .... | set dresser | |
| Mike Cunningham | .... | assistant property master | |
| Shannon Curfman | .... | lead person (as Shannon Curfman-Dayan) | |
| Dave DeGaetano | .... | construction coordinator | |
| Virginia Hopkins | .... | on-set painter: San Francisco | |
| Anne Hyvarinen | .... | stand-by painter | |
| Mark Kelly | .... | set props assistant | |
| Richard N. McGuire | .... | gangboss | |
| Doni McMillan | .... | leadman: San Francisco | |
| Jennifer Moller | .... | art department production assistant | |
| Mike Piccirillo | .... | art department coordinator | |
| Cynthia C. Rebman | .... | on-set dresser | |
| Tom Richardson | .... | painter: San Francisco | |
| Alex Sessing | .... | key greensman | |
| Catherine Smith | .... | set designer | |
| Samantha Smith | .... | buyer | |
| Paul Stanwyck | .... | paint foreman (as Paul J. Stanwyck) | |
| Kana Takahashi | .... | art department coordinator: San Francisco | |
Sound Department | |||
| Douglas Axtell | .... | production sound mixer | |
| Steven J. Berger | .... | assistant sound | |
| Jeremy Brill | .... | sound | |
| Jeff Gomillion | .... | adr mixer | |
| Andy Koyama | .... | sound re-recording mixer | |
| Mark A. Mangini | .... | sound designer | |
| Darrin Mann | .... | foley mixer | |
| Bill Meadows | .... | sound recordist | |
| Robert Morrisey | .... | first assistant sound editor | |
| Ralph Osborn | .... | dialogue editor | |
| Philip Rogers | .... | adr recordist | |
| Katie Rowe | .... | foley artist | |
| Sean Rowe | .... | foley artist | |
| Reuben Simon | .... | sound editor | |
| Andy Sisul | .... | digital assistant sound editor | |
| Ben Wienert | .... | boom operator | |
| John Clavin | .... | sound engineer (uncredited) | |
Special Effects by | |||
| Gary D. Bierend | .... | special effects crew | |
| Erick Brennan | .... | special effects consultant | |
| Al Broussard | .... | special effects supervisor | |
| Thomas Rasada | .... | special effects foreman | |
| Valek Sykes | .... | special effects | |
Visual Effects by | |||
| Joseph Bailey | .... | visual effects | |
| Miguel Bautista | .... | digital effects artist | |
| Thad Beier | .... | visual effects | |
| Jeremy Bloch | .... | digital effects artist | |
| Michael Brazelton | .... | digital compositor | |
| Michael Brazelton | .... | paint/roto lead | |
| Tim Carras | .... | digital compositor: big red pixel | |
| Serena Chang | .... | visual effects | |
| Jamie Clay | .... | digital compositor | |
| Brian Corpus | .... | technical operations manager: Pacific Title and Art Studio | |
| Edward M. Cox | .... | visual effects coordinator | |
| Andy Davis | .... | digital compositor: Big Red Pixel | |
| Michelle Eisenreich | .... | visual effects producer: Hammerhead | |
| Tarn Fox | .... | compositor | |
| Mark Herman | .... | visual effects | |
| Justin Jones | .... | digital compositor | |
| John G. Kirby | .... | visual effects | |
| Sylvain Lebeau | .... | matchmover | |
| Jonah Loop | .... | visual effects producer | |
| Rob Menapace | .... | motion control operator | |
| Raphael Mosley | .... | Flame artist | |
| David B. Moulder | .... | visual effects producer: big red pixel | |
| Pete O'Connell | .... | compositor | |
| Karl Raade | .... | digital artist | |
| Jay Randall | .... | visual effects supervisor: BarXseven | |
| Robert Rossello | .... | visual effects supervisor | |
| Den Serras | .... | digital compositor: big red pixel | |
| John E. Sullivan | .... | visual effects supervisor | |
| James D. Tittle | .... | visual effects coordinator: Pacific Title | |
| Linda Tremblay | .... | digital compositor | |
Stunts | |||
| Rocky Capella | .... | stunt coordinator | |
| Tim Connolly | .... | stunts | |
| Annie Ellis | .... | stunts | |
| Tawny Marie Ellis | .... | stunts | |
| Joe Green | .... | stunt performer | |
| Larry Lam | .... | stunts | |
| Mike Martinez | .... | utility stunts | |
| Tim Meredith | .... | utility stunts | |
| Danton Mew | .... | precision driver | |
| Anthony Molinari | .... | stunt double: Mark Ruffalo | |
| Jimmy Ortega | .... | stunt performer | |
| Heidi Pascoe | .... | stunt double: Reese Witherspoon | |
| Jimmy Romano | .... | stunt coordinator | |
| Tim Sitarz | .... | stunts | |
| James D. Weston II | .... | precision driver | |
Animation Department | |||
| Jonathan Block | .... | animator | |
Casting Department | |||
| Chris Bustard | .... | extras casting | |
| Geralyn Flood | .... | casting assistant | |
| Nancy Hayes | .... | extras casting: San Francisco | |
| Michele Short | .... | casting associate | |
Costume and Wardrobe Department | |||
| Virginia Burton | .... | costume supervisor | |
| Valerie T. O'Brien | .... | key costumer | |
| Stephen Oh | .... | costumer | |
| Marian Toy | .... | assistant costume designer | |
Editorial Department | |||
| Samantha Becker | .... | post-production coordinator | |
| Gary Burritt | .... | negative cutter | |
| Martin Cohen | .... | post-production executive | |
| Tom Hanada | .... | post-production assistant | |
| Bethany Orlemann | .... | first assistant editor | |
| Hugh Ross | .... | assistant editor | |
| Jeff Smithwick | .... | color timer | |
| Lee Wimer | .... | color timer (uncredited) | |
Music Department | |||
| Tony Blondal | .... | orchestrator | |
| Bryan Clements | .... | scoring crew | |
| Stephen Coleman | .... | music programmer | |
| Stephen Coleman | .... | orchestrator | |
| Andrew Dorfman | .... | composer: additional background music | |
| Mark Eshelman | .... | scoring crew | |
| Trevor Gilchrist | .... | music programmer: score | |
| Charles Martin Inouye | .... | music editor | |
| Steve Kempster | .... | score mixer | |
| Rolfe Kent | .... | conductor | |
| Greg Loskorn | .... | scoring technician | |
| Adam Michalak | .... | score recordist | |
| Ralph Sall | .... | executive music producer | |
| Dan Savant | .... | orchestra contractor | |
| Nick South | .... | music editor | |
| Kerry Wikstrom | .... | orchestrator | |
| Alice Wood | .... | assistant music editor | |
Transportation Department | |||
| Mark Brown | .... | driver: production van | |
| Daniel Canamar | .... | transportation dispatcher | |
| Casey Patrick Dugan | .... | driver | |
| Michael Menapace | .... | transportation coordinator | |
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Why is a movie starring the wonderful Reese Witherspoon labeled a chick flick? Seems to me any male would want to see it. The viewer cannot help but love her character in this movie. Motherhood and marriage must agree with her, as she has never looked better.
Of course the storyline is quite fantastic and not very realistic. But who cares? I get up in the morning to face reality every day. I don't need to see too much of it at the movies.
Mark Rufalo did a fine job of acting, but to me it was Reese's movie all the way. I wonder why our movie critics and voters for Oscars and such don't give much weight to comedic actors and actresses? It takes just as much talent, and actually there are in my estimation less who really pull off comedic roles well. Reese Witherspoon has done it many times, and doesn't disappoint here. Most modern so-called comedies to me are simply not funny. However, this movie did make me laugh. The guy who works in the psychic bookstore was hilarious.
But this movie isn't all about comedy. It does touch at the heartstrings of any member of the human race who feels left out, feels like they are missing it. Usually a movie has one person who the viewer can really relate to. In this case, both leads played people who I could relate to.
If constant special effects, extreme violence, streams of foul language, or total realism are for you, then perhaps you should skip this movie. For the rest of us who can enjoy a romantic comedy, I can't imagine not being entertained by this movie. I left it feeling great.