| Photos (see all 55 | slideshow) | Videos (see all 2 videos ) |
| Rory Cochrane | ... | Charles Freck | |
| Robert Downey Jr. | ... | James Barris | |
| Mitch Baker | ... | Brown Bear Lodge Host | |
| Keanu Reeves | ... | Bob Arctor | |
| Sean Allen | ... | Additional Fred Scramble Suit Voice (voice) | |
| Cliff Haby | ... | Voice from Headquarters (voice) | |
| Steven Chester Prince | ... | Cop | |
| Winona Ryder | ... | Donna Hawthorne | |
| Natasha Valdez | ... | Waitress | |
| Mark Turner | ... | Additional Hank Scramble Suit Voice (voice) | |
| Woody Harrelson | ... | Ernie Luckman | |
| Chamblee Ferguson | ... | Medical Deputy #2 | |
| Angela Rawna | ... | Medical Deputy #1 | |
| Eliza Stevens | ... | Arctor's Daughter #1 | |
| Sarah Menchaca | ... | Arctor's Daughter #2 | |
| Melody Chase | ... | Arctor's Wife | |
| Leif Anders | ... | Freck Suicide Narrator (voice) | |
| Turk Pipkin | ... | Creature | |
| Alex Jones | ... | Street Prophet | |
| Lisa Marie Newmyer | ... | Connie | |
| Wilbur Penn | ... | Medical Officer #1 | |
| Ken Webster | ... | Medical Officer #2 | |
| Hugo Perez | ... | New Path Staff Member #1 | |
| Rommel Sulit | ... | New Path Staff Member #2 | |
| Dameon Clarke | ... | Mike | |
| Christopher Ryan | ... | New Path Resident #1 | |
| Leila Plummer | ... | New Path Resident #2 | |
| Jason Douglas | ... | New Path Farm Manager | |
| Marco Perella | ... | Donald | |
| rest of cast listed alphabetically: | |||
| Jack Cruz | ... | Police Officer (uncredited) | |
Directed by | |||
| Richard Linklater | |||
Writing credits(WGA) | ||
| Philip K. Dick | (novel) | |
| Richard Linklater | (screenplay) | |
Produced by | |||
| George Clooney | .... | executive producer | |
| Ben Cosgrove | .... | executive producer | |
| Erin Ferguson | .... | co-producer | |
| Jennifer Fox | .... | executive producer | |
| Sara Greene | .... | associate producer | |
| Tommy Pallotta | .... | producer | |
| John Sloss | .... | executive producer | |
| Jonah Smith | .... | producer | |
| Steven Soderbergh | .... | executive producer | |
| Erwin Stoff | .... | producer | |
| Anne Walker-McBay | .... | producer | |
| Palmer West | .... | producer | |
Original Music by | |||
| Graham Reynolds | |||
Cinematography by | |||
| Shane F. Kelly | (director of photography) | ||
Film Editing by | |||
| Sandra Adair | |||
Casting by | |||
| Denise Chamian | |||
Production Design by | |||
| Bruce Curtis | |||
Set Decoration by | |||
| Joaquin A. Morin | |||
Costume Design by | |||
| Kari Perkins | |||
Makeup Department | |||
| Katina Gilkey | .... | hair stylist | |
| Darylin Nagy | .... | hair department head | |
| Darylin Nagy | .... | makeup department head | |
Production Management | |||
| Susan Kirr | .... | unit production manager | |
| Ravi D. Mehta | .... | executive in charge of production (uncredited) | |
Art Department | |||
| Rodney Becker | .... | lead | |
| Brad Blei | .... | set dresser (as Bradley Blei) | |
| Raymond Consing | .... | storyboard artist | |
| Fred Daniel | .... | art department coordinator | |
| Melanie Ferguson | .... | on-set dresser | |
| Erick Garibay | .... | assistant property master | |
| Ian Sebastian Kasnoff | .... | construction coordinator | |
| Kara Sutherlin | .... | lead scenic | |
| Pierre Vial | .... | set dresser | |
| Stefan Wilcox | .... | property master | |
| Bart Bryant | .... | carpenter (uncredited) | |
| Jarrette Moats | .... | property assistant (uncredited) | |
Sound Department | |||
| Ethan Andrus | .... | production sound mixer | |
| Gregg Barbanell | .... | foley artist | |
| Wayne Bell | .... | additional sound effects editor | |
| Paul Berolzheimer | .... | additional sound effects editor | |
| Ajae Clearway | .... | adr editor | |
| Ajae Clearway | .... | dialogue editor | |
| Tom Hammond | .... | sound designer | |
| Tom Hammond | .... | sound re-recording mixer | |
| Tom Hammond | .... | supervising sound editor | |
| Justin Hennard | .... | sound designer | |
| Justin Hennard | .... | sound effects editor | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Thomas J. O'Connell | .... | adr mixer (as Tom O'Connell) | |
| Jeremy Peirson | .... | sound re-recording mixer (as Jeremy Pierson) | |
| Jason Piatt | .... | foley mixer | |
| Tom Sturgis | .... | boom operator (as Tom 'Sturge' Sturgis) | |
| Michael Swanner | .... | utility sound | |
| Peter Germansen | .... | sound engineer: ICON (uncredited) | |
| Bob Kellough | .... | additional sound effects recordist (uncredited) | |
Special Effects by | |||
| Steve Krieger | .... | special effects coordinator | |
| Randy E. Moore | .... | special effects coordinator (uncredited) | |
Visual Effects by | |||
| Richard Gordoa | .... | visual effects supervisor | |
| Josh Novak | .... | lead compositor: main title sequence | |
| Jerry Poynton | .... | digital post-production manager (as Jerome Poynton) | |
| Ruedi Schick | .... | digital film recording supervisor | |
| Randy Cole | .... | 3D modeler and compositor (uncredited) | |
| Bob Sabiston | .... | animation software (uncredited) | |
Camera and Electrical Department | |||
| Tod Campbell | .... | loader | |
| Matt Cowan | .... | best boy grip | |
| Matt Lankes | .... | still photographer | |
| Robert B. Reynolds | .... | chief lighting technician | |
| Peter Simonite | .... | first assistant camera | |
| Josh Taylor | .... | assistant chief lighting technician | |
| Atom Vyvial | .... | key grip (as Aaron Atom Vyvial) | |
| Ralph Watson | .... | camera operator | |
| Patrick B. Coate | .... | camera production assistant (uncredited) | |
| Wes Dixon | .... | electrical intern (uncredited) | |
| Donald R. Howe Jr. | .... | additional second assistant camera (uncredited) | |
| Peter Simonite | .... | camera operator (uncredited) | |
| Ezra Venetos | .... | grip (uncredited) | |
Casting Department | |||
| Scout Masterson | .... | casting associate: Los Angeles | |
| Beth Sepko | .... | local casting | |
| Sheila Steele | .... | casting associate: Austin | |
Costume and Wardrobe Department | |||
| Melanie Armstrong Fletcher | .... | costume supervisor | |
Editorial Department | |||
| Christopher Roldan | .... | first assistant editor | |
| David Gil Jr. | .... | post-production assistant (uncredited) | |
| Ryan Gronquist | .... | post-production assistant (uncredited) | |
| Charles Harrison | .... | editorial intern (uncredited) | |
| Allegra McCoy | .... | apprentice editor (uncredited) | |
| Kate Ridgway | .... | editorial intern (uncredited) | |
| Yusef Svacina | .... | editorial intern (uncredited) | |
| Yusef Svacina | .... | post-production assistant (uncredited) | |
| Jessica Tong | .... | editorial intern (uncredited) | |
Music Department | |||
| Bruce Colson | .... | musician: violin | |
| Jonathan Dexter | .... | musician: cello | |
| Jason Elinoff | .... | musician: viola | |
| The Golden Arm Trio | .... | featured performer: score | |
| Erik Grostic | .... | musician: upright bass | |
| Buzz Moran | .... | score mixer | |
| Buzz Moran | .... | score recordist | |
| Nic Ratner | .... | music supervisor | |
| Graham Reynolds | .... | musician: various instruments | |
| Graham Reynolds | .... | score mixer | |
| Graham Reynolds | .... | score recordist | |
Transportation Department | |||
| Ronnie D. Chambers | .... | transportation coordinator (as Ronald D. Chambers) | |
| Jesus F. Tellez | .... | transportation captain | |
Other crew | |||
| Molly Ainsley | .... | additional staff assistant | |
| Peter Atherton | .... | location manager | |
| Janey Bergam | .... | assistant: Keanu Reeves | |
| Shannon Blackburn | .... | production secretary | |
| Dominic Cancilla | .... | production coordinator | |
| Eric Cepeda | .... | additional staff assistant | |
| Casey Chapman | .... | additional staff assistant (as Lauren Casey Chapman) | |
| Erik Davis | .... | consultant | |
| Gil Dean | .... | animal wrangler | |
| Lisa Del Dotto | .... | assistant craft service | |
| Wes Dixon | .... | additional staff assistant | |
| Colin Edlund | .... | craft service | |
| Sonia Farrell | .... | assistant: Woody Harrelson | |
| Michael P. Garza | .... | title designer: end titles | |
| David Gil Jr. | .... | additional staff assistant (as David Gil) | |
| Leigh Green | .... | additional staff assistant | |
| Erin Hagerty | .... | assistant: Mr. Smith and Mr. West | |
| Heather Hanna | .... | additional staff assistant | |
| Charles Harrison | .... | additional staff assistant | |
| Marshall Hopkins | .... | additional staff assistant | |
| Katherine Isham | .... | additional staff assistant | |
| Marike Jainchill | .... | staff assistant (as Marike Z. Jainchill) | |
| Tatiana Jitkoff | .... | additional staff assistant | |
| Jesse Johnston | .... | executive: Thousand Words | |
| Sarah Lankenau | .... | staff assistant | |
| Jonathan Lethem | .... | consultant | |
| Stephanie Lewis | .... | executive: Thousand Words | |
| Stephen Light | .... | assistant production office coordinator | |
| Melody Lloyd | .... | set medic | |
| Taylor Lovell | .... | additional staff assistant | |
| Allegra McCoy | .... | staff assistant | |
| Kirsten McMurray | .... | staff assistant | |
| Morgan Miles | .... | production accountant | |
| Jarrette Moats | .... | additional staff assistant | |
| Kimberly Murphy | .... | staff assistant (as Kim Murphy) | |
| Jubal Palmer | .... | assistant: Winona Ryder | |
| Jennifer Ramirez | .... | additional staff assistant | |
| Mike Reyes | .... | additional staff assistant | |
| Jimmy Rich | .... | assistant: Robert Downey Jr. | |
| Kate Ridgway | .... | additional staff assistant | |
| Brandon Roberts | .... | additional staff assistant | |
| Ryan Ross | .... | additional staff assistant | |
| Brooke Satrazemis | .... | script supervisor | |
| Steven Schaefer | .... | additional staff assistant | |
| Scott Snyder | .... | additional staff assistant | |
| Yusef Svacina | .... | additional staff assistant | |
| Jessica Tong | .... | additional staff assistant | |
| Sef Tsauousis | .... | staff assistant | |
| Fernanda Valentina | .... | additional staff assistant | |
| Dustin Weaver | .... | assistant location manager | |
| Tara Weaver | .... | support staff: Woody Harrelson | |
| Jenni Wieland | .... | assistant production accountant | |
| Tracey Zemitis | .... | unit publicist | |
| David Appelbaum | .... | office intern (uncredited) | |
| Loreto Caro-Valdes | .... | intern: production office (uncredited) | |
| Tai-San Choo | .... | office intern (uncredited) | |
| Jeff Guerrero | .... | additional set production assistant (uncredited) | |
| Sandy Lizaola-Hernandez | .... | physical production coordinator (uncredited) | |
| Jamie Preyer | .... | location intern (uncredited) | |
Thanks | |||
| Louis Mackey | .... | dedicatee: in eternal memory | |
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| Paprika | Maquinista, El | Layer Cake | The Basketball Diaries | American Beauty |
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When someone on a trip starts to wig out, you take them someplace quiet and talk soothingly and assure them that everything's going to be OK. But as the tagline of this film makes clear, for these characters everything is most definitely NOT going to be OK.
For those who haven't read the book, it's important to know what you're getting into. PK Dick wrote this novel as a way of telling the story of how he and his friends in the early '70s damaged and destroyed themselves with drugs. He tells this story within the framework of a surreal science fiction thriller, but many of the scenes are straight from his own experiences with the unpleasant consequences of people using drugs and disintegrating mentally.
This film does an amazing job of capturing the feel and tone of the book as well as the paranoia, perceptual distortions, and chaos of hallucinogenic overindulgence. Add to that a story that only gradually emerges from the madness, but by the end brings in a lot of heavy ideas such as the existence of free will, whether ends justify means, etc. There is a sense of consequence to what happens in the film, a sense of despair at what has been lost. So this story of drug-addled losers becomes the story of the human struggle for identity and meaning.
I have a couple of minor quibbles regarding scenes from the book that only partially made the cut (no explanation for the significance of "If I'd known it was harmless I would have killed it myself, no little kid to explain how 6 and 3 gears means 18 speeds). Still, most adaptations of PK Dick stories take a few basic ideas and try to shape them into more conventional films that fit into established genres. Even when it works, such as with Blade Runner or Total Recall, it's not really PK Dick. Not so this film. This is PK in all his dark and perverse and deeply thoughtful glory.