Overview
Plot:
About a filmmaker not only revisiting, but also recreating (not in a conventional sense) one of his first films, The Perfect Human / Det perfekte menneske (1967)
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Awards:
1 win
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2 nominations
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User Comments:
Obstrucive brilliance!
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 | Claus Nissen | ... | The Perfect Man - from 'Det perfekte menneske' 1967 (archive footage) |
 | Majken Algren Nielsen | ... | The Perfect Woman, from 'Det perfekte menneske' 1967) (archive footage) (as Maiken Algren) |

| Jørgen Leth | ... | Speaker (from "Det perfekte menneske" 1967) / Himself - Director (segments "The Conversations") / Speaker (segment "Obstruction #1 - The Perfect Human: Cuba") / The Perfect Man / Speaker (segment "Obstruction #2 - The Perfect Human: Bombay") / Speaker (segment "Obstruction #4 - The Perfect Human: Cartoon") / Jørgen Leth / The Perfect Human / Speaker (segment "Obstruction #5 - The Perfect Human: Avedøre, Denmark") (also archive footage) |

| Lars von Trier | ... | Himself - Obstructor (segments "The Conversations") / Lars von Trier (segment "Obstruction #5 - The Perfect Human: Avedøre, Denmark") |
 | Daniel Hernandez Rodriguez | ... | The Perfect Man (segment "Obstruction #1 - The Perfect Human: Cuba") |
 | Jacqueline Arenal | ... | The Perfect Woman (segment "Obstruction #1 - The Perfect Human: Cuba") |
 | Vivian Rosa | | |
 | Alexandra Vandernoot | ... | The Perfect Woman (segment "Obstruction #3 - The Perfect Human: Brussels") |

| Patrick Bauchau | ... | The Perfect Man / Speaker (segment "Obstruction #3 - The Perfect Human: Brussels") / Speaker (segment "Obstruction #4 - The Perfect Human: Cartoon") |
 | Marie Dejaer | ... | Maid (segment "Obstruction #3 - The Perfect Human: Brussels") |
 | Pascal Perez | ... | Couple (Man) (segment "Obstruction #3 - The Perfect Human: Brussels") |
 | Meschell Perez | ... | Couple (Woman) (segment "Obstruction #3 - The Perfect Human: Brussels") |
 | Bent Christensen | ... | Gangster from "Det gode og det onde" 1975 featured in segment "Obstruction #4 - The Perfect Human: Cartoon" (archive footage) |

| Anders Hove | ... | Naked Man, from "Notater om kærligheden" 1989 featured in segment "Obstruction #4 - The Perfect Human: Cartoon" (archive footage) |
 | Charlotte Sieling | ... | Naked Woman - from "Notater om kærligheden" 1989 featured in segment "Obstruction #4 - The Perfect Human: Cartoon" (archive footage) |
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Additional Details
Also Known As:
The Five Obstructions (International: English title)
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Runtime:
90 min
Aspect Ratio:
1.85 : 1
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MOVIEmeter: 
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Fun Stuff
Trivia:
During one of the conversation segments in the documentary
Lars von Trier and
Jørgen Leth agree that Leth will receive full credit for the fifth and final Obstruction entitled "The Perfect Human: Avedøre, Denmark" despite not directing it, and that Trier will receive none, although he will direct it. This, apparently, is within the rules of the game played out by the two directors during the documentary, and serves as an inside joke.
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Lars von Trier is an unusual director, in that he makes films of massive emotional intensity, and yet also appears interested in formal innovation for its own sake: the Dogme manifesto, of which he was co-author, suggested that films should be made according to certain rules, partly for the expected benefits of following them, but also for the benefits of simply being constrained (a philosophy resembling that of Georges Perec and the Oulipop group of novelists). In some ways, 'The Five Obstructions' is both the perfect demonstration of this attitude, and also his strangest film yet. Jorgen Leth is a director who made, in 1967, von Trier's favourite film, an innovative (but arguably cold) short called 'The Perfect Human'; in 'The Five Obstructions', Leth agrees to remake this film in five different ways, subject to constraints imposed by von Trier. The story of his doing so, along with excerpts from all six films, comprises this one. It's the ultimate recursive project, a "making-of" documentary with itself as both subject and object, an effect enhanced by the way that each film becomes a commentary on, and an extension of, its predecessors. von Trier does not dare, however, to suggest he can improve on the original; on the contrary, he professes to hope that his obstructions will force Leth to make a bad film, and therefore reveal something more of his own emotions than have hitherto been shown. In this, however, he fails. 'The Five Obstructions' becomes a film-making masterclass, as Leth continually finds something new to say in spite of the increasing restrictions against him saying anything; his natural inventiveness, and skill, make you want to see the films he has chosen to make for himself. von Trier, by contrast, appears as a fool, although as the resulting documentary is his creation, he is maybe not as foolish as he appears. Indeed, there's almost certainly an unavoidable level of artifice in the apparently "real" scenes where the two men talk, each are too skilled as film-makers to be wholly unaware of what they are doing. But there does seem to be a real human story, as Leth's enthusiasm for his task, and for life itself, is driven upwards by the series of apparently insane challenges with which he is encumbered. It's an odd film for anyone to make, but maybe proves von Trier's point; for what stands above the contrivance is pure gold.