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| Alicia Silverstone | ... | Emily | |
| Benicio Del Toro | ... | Vincent | |
| Christopher Walken | ... | Ray | |
| Jack Thompson | ... | Alexander | |
| Harry Connick Jr. | ... | Greg | |
| Nicholas Turturro | ... | Stick | |
| Michael Bowen | ... | Gus | |
| Robert Wisden | ... | Detective Sims | |
| Leland Orser | ... | Detective Barnaby | |
| Sally Kirkland | ... | Louise | |
| Hiro Kanagawa | ... | Jon | |
| Brendan Beiser | ... | Man on Pay Phone | |
| Demetri Goritsas | ... | Surveillance Van Cop | |
| Jorge Vargas | ... | Mini Mart Clerk | |
| Danielle Saklofsky | ... | Monique | |
| Stacy Grant | ... | Car Showroom Receptionist | |
| Callum Keith Rennie | ... | Motel Manager (as Callum Rennie) | |
| Carrie Cain-Sparks | ... | Waitress at Diner (as Carrie Cain Sparks) | |
| Nicole Parker | ... | Waitress at Knotty Pines | |
| Bill Croft | ... | Trucker | |
| C. Ernst Harth | ... | Trucker | |
| Adrien Dorval | ... | Trucker | |
| Claire Riley | ... | Dream Reporter | |
| Dean Wray | ... | Barge Mate | |
| Fulvio Cecere | ... | Sharp Shooter | |
| David Longworth | ... | RV Gas Pumper | |
| Alfonso Quijada | ... | Garage Attendant (as Alfonso Quijada Jr.) | |
| Hrothgar Mathews | ... | Fisherman Cop | |
| rest of cast listed alphabetically: | |||
| David Kaye | ... | Kevin Bradley (uncredited) | |
| Matthew Robert Kelly | ... | Lt. Kimble (uncredited) | |
| Corey Large | ... | Thug (uncredited) | |
| April Telek | ... | News Reporter (uncredited) | |
Directed by | |||
| Marco Brambilla | |||
Writing credits(WGA) | ||
| Max D. Adams | (story) | |
| Max D. Adams | (screenplay) and | |
| Dick Clement | (screenplay) & | |
| Ian La Frenais | (screenplay) | |
Produced by | |||
| Bill Borden | .... | producer | |
| Casey Grant | .... | co-producer (as B. Casey Grant) | |
| Carolyn Kessler | .... | producer | |
| Alicia Silverstone | .... | producer (uncredited) | |
Original Music by | |||
| John Lurie | |||
Cinematography by | |||
| Jean-Yves Escoffier | (director of photography) (as Jean Yves Escoffier) | ||
Film Editing by | |||
| Stephen E. Rivkin | (as Stephen Rivkin) | ||
Casting by | |||
| Allison Cowitt | |||
| Mike Fenton | |||
Production Design by | |||
| Missy Stewart | |||
Art Direction by | |||
| Richard Hudolin | |||
Set Decoration by | |||
| Elizabeth Wilcox | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Ian C. Ballard | .... | key hair stylist (as Ian Ballard) | |
| Victoria Down | .... | key makeup artist | |
| Ronnie Specter | .... | makeup artist: Ms. Silverstone | |
| Debra Wiebe | .... | hair stylist | |
Production Management | |||
| Penny Gibbs | .... | assistant production manager | |
| Casey Grant | .... | unit production manager | |
Art Department | |||
| Bryan Korenberg | .... | property master | |
| Bridget McGuire | .... | assistant art director | |
| Derick McLeod | .... | construction coordinator | |
| David Rosychuk | .... | assistant property master (as David Rosychuck) | |
| Shirley Wiebe | .... | assistant set decorator | |
| D.N. Pettipas | .... | property buyer (uncredited) | |
| Gareth Procter | .... | props (uncredited) | |
Sound Department | |||
| Eric Batut | .... | production sound mixer (as Eric J. Batut) | |
| Mark Berger | .... | sound re-recording mixer | |
| Leslie Bloom | .... | foley artist (as Leslie Bloome) | |
| Jay Boekelheide | .... | sound editor | |
| Yin Cantor | .... | assistant sound editor | |
| Kim B. Christensen | .... | sound editor (as Kim Christensen) | |
| Francesca Dodd | .... | sound editor | |
| Patrick Dodd | .... | adr editor | |
| Patrick Dodd | .... | supervising sound editor | |
| Ezra Dweck | .... | sound re-recording mixer | |
| Stephen Hart | .... | foley mixer | |
| Scott Koué | .... | assistant sound editor (as Scott Koue) | |
| Marnie Moore | .... | foley artist (as Marne Moore) | |
| John Motyer | .... | boom operator (as Johnny Motyer) | |
| John Nutt | .... | sound editor | |
| Richard Quinn | .... | sound editor (as Rich Quinn) | |
| Paul Drenning | .... | adr mixer (uncredited) | |
| Richard Partlow | .... | foley artist (uncredited) | |
Special Effects by | |||
| William H. Orr | .... | special effects | |
Stunts | |||
| Kevin J. Andruschak | .... | stunts | |
| James Bamford | .... | stunt double: Benicio del Toro | |
| James Bamford | .... | stunt double: Harry Connick, Jr | |
| Ernie Jackson | .... | stunts | |
| David Jacox | .... | stunts | |
| Michael Langlois | .... | stunts | |
| David Mylrea | .... | stunt driver | |
| Gerald Paetz | .... | stunt double: Robert Wisden | |
| Jacob Rupp | .... | stunts | |
| Melissa R. Stubbs | .... | assistant stunt coordinator (as Melissa Stubbs) | |
| Melissa R. Stubbs | .... | stunt double: Alicia Silverstone | |
| Sonny Surowiec | .... | stunts (as Sonny Surowic) | |
| Betty Thomas | .... | stunt coordinator | |
| Lauro Chartrand | .... | stunts (uncredited) | |
| Dean Choe | .... | stunts (uncredited) | |
| Jim Dunn | .... | stunts (uncredited) | |
| Brad Loree | .... | stunts (uncredited) | |
| Mike Mitchell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Dillard Brinson | .... | key grip | |
| Peter G. Capadouca | .... | assistant chief lighting technician | |
| John Clothier | .... | camera operator | |
| Gavin B. Craig | .... | second grip | |
| Les Erskine | .... | chief lighting technician | |
| Gil Forrester | .... | dolly grip | |
| Tom Gregg | .... | second grip | |
| Doug Lavender | .... | second assistant camera | |
| Rob McEwan | .... | still photographer | |
| Klaus Melchior | .... | video assist operator (as Klaus Melchois) | |
| Cam North | .... | first assistant camera | |
| Carrie Wilson | .... | second assistant camera | |
| Sarah Baldwin | .... | remote head technician (uncredited) | |
| Ken Decker | .... | lamp operator (uncredited) | |
| Jim Filippone | .... | pilot: camera helicopter (uncredited) | |
| Dylan Goss | .... | aerial camera operator (uncredited) | |
| Gaetan Jalbert | .... | rigging gaffer (uncredited) | |
| John Le Roy | .... | key rigging grip (uncredited) | |
Casting Department | |||
| Stuart Aikins | .... | casting: Canada | |
| Rachel Davies | .... | casting assistant | |
| William Haines | .... | casting associate: Canada | |
| James Forsyth | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Michelle Baines | .... | key costumer | |
| Carla Hetland | .... | costume designer: Canada | |
| Karin Nosella | .... | assistant costume designer (uncredited) | |
| Alexis Scott | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Jordan Acomba | .... | assistant film editor: Canada | |
| Mo Henry | .... | negative cutter | |
| Gloria Kaiser | .... | color timer | |
| Ray Neapolitan | .... | assistant film editor | |
| Kevin Nolting | .... | first assistant film editor | |
| Stan Salfas | .... | additional editor | |
| Michael Smith | .... | assistant film editor: Canada | |
| Pietro Cecchini | .... | assistant editor (uncredited) | |
Music Department | |||
| Steven Bernstein | .... | conductor | |
| Steven Bernstein | .... | orchestrator | |
| Anita Camarata | .... | music supervisor | |
| Patrick Dillett | .... | music mixer (as Pat Dillett) | |
| Patrick Dillett | .... | music recordist (as Pat Dillett) | |
| Amanda Goodpaster | .... | assistant music editor | |
| Lia Vollack | .... | music editor | |
Transportation Department | |||
| Rodney Beech | .... | transportation captain (as Rod Beech) | |
| Red Murphy | .... | transportation captain | |
| Rob Vreugde | .... | transportation coordinator (as Rod Vreugde) | |
Other crew | |||
| Michelle Almaz Tadege | .... | production coordinator | |
| Laura Curry | .... | assistant: Ms. Silverstone | |
| Will Fearn | .... | location manager | |
| Ann Goobie | .... | assistant location manager | |
| Gretchen Goode | .... | production secretary | |
| Kasandra Greene-Griebel | .... | production assistant | |
| Leesa Green | .... | craft service | |
| Leesa Green | .... | first aid | |
| John Keel | .... | assistant: Mr. Borden | |
| Lee Anne Muldoon | .... | unit publicist | |
| Don Orlando | .... | production accountant | |
| Burton Sharp | .... | adr group coordinator | |
| Rob Stark | .... | assistant: Mr. Brambilla | |
| Peter Weireter | .... | technical advisor | |
| Pat Williams | .... | assistant production accountant | |
| Christine Wilson | .... | script supervisor | |
| Jennifer Harland | .... | background coordinator (uncredited) | |
| Scott Steyns | .... | playback coordinator (uncredited) | |
| Ian Zweig | .... | chef (uncredited) | |
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I saw this movie a couple of years ago when my sister and her friends rented it. I remember thinking it was strange, but that's all. I came across it in the video store last night and was curious as to why I couldn't remember much about it. Well let me tell you, I'm glad I tried it again. The movie isn't great, the story drags a bit in the middle, and the two mob guys weren't the least bit scary. I also had a hard time with Silverstone's portrayal of Emily, who I understand was supposed to be a "troubled teen", but whose behavior was so unbelievably bad that I felt only distaste for her instead of the expected sympathy. But Walken and Del Toro are absolutely marvelous. They made it completely worth watching. Walken is his usual sinister self, but at the same time manages to make his Uncle Ray character seem very fatherly and concerned for Emily. In fact, they could have done away with the rather weak father altogether and nobody would even have noticed. Del Toro is fascinating as the shy, befuddled Vincent. Everything that came out of his mouth made me laugh, and you've got to like anyone who can see the good in a whiny wretch like Emily. He turns out to be exactly what she needs, and by the end of the movie she had mellowed so much that I didn't even hate her anymore. Watch for the scenes in the hotel room and next morning by the lake where the tentative lovers make a surprisingly touching connection. This was the best five minutes of the movie for me. All in all, a simple but fairly sweet movie, made better by the outstanding, endearing performances by the two male leads. Don't go into it expecting too much, and you'll have fun with this little bit of fluff that far too many people have been scared away from because of the bad reviews. Just give it a chance. Trust me.