| Photos (see all 16 | slideshow) | Videos |
| Chris Farley | ... | Bartholomew Hunt | |
| Matthew Perry | ... | Leslie Edwards | |
| Bokeem Woodbine | ... | Jonah | |
| Barry Del Sherman | ... | Sergeant | |
| Robert Tittor | ... | Priest | |
| Franklin Cover | ... | Nicholas Burr | |
| David Packer | ... | Bidwell | |
| Eugene Levy | ... | Guy Fontenot | |
| Lisa Barbuscia | ... | Shaquinna | |
| Christian Clemenson | ... | Father Girard | |
| Steven M. Porter | ... | Higgins | |
| Patrick Cranshaw | ... | Jackson (as Joseph Patrick Cranshaw) | |
| Hamilton Camp | ... | Pratt | |
| Jonathan Joss | ... | Bent Twig | |
| George Aguilar | ... | Chief Two Roads | |
| Gregory Cruz | ... | Iowa Indian (as Gregory Norman Cruz) | |
| Lewis Arquette | ... | Merchant | |
| Don Lake | ... | Elias | |
| Brent Hinkley | ... | Trapper | |
| John Farley | ... | Bartender | |
| Kevin Dunn | ... | Hidalgo | |
| Tim DeKay | ... | New Bartender | |
| Keith Sellon-Wright | ... | Merriweather Lewis | |
| Scott Williamson | ... | William Clark | |
| David Barrera | ... | Ferdinand | |
| Jay Lacopo | ... | Hector | |
| Frank Salsedo | ... | Old Indian (as Frank Sotonoma Salsedo) | |
| Billy Daydoge | ... | Strong Like Mountain (as Billy Daydodge) | |
| T. Dan Hopkins | ... | Running Puma | |
| Axel Lindgren | ... | Salmon Brave | |
| Harry Shearer | ... | Narrator | |
| rest of cast listed alphabetically: | |||
| Jim Boulden | ... | Puppeteer / Eagle + Bear | |
| Maria Cina | ... | Ballroom dancer | |
| Gordon Hart | ... | Ballroom Dancer | |
| Stuart Rogers | ... | Stunts | |
| Dennis Ambriz | ... | Head Buffalo Dancer (uncredited) | |
| Scott Anderson | ... | Conquistador #2 (uncredited) | |
| Val Crawford | ... | Bald Eagle (uncredited) | |
| Daniel Passer | ... | Salvador (uncredited) | |
Directed by | |||
| Christopher Guest | |||
Writing credits(WGA) | ||
| Mark Nutter | (written by) & | |
| Tom Wolfe | (written by) & | |
| Boyd Hale | (written by) | |
Produced by | |||
| Denise Di Novi | .... | producer | |
| Mary Kane | .... | co-producer | |
Original Music by | |||
| Jeffrey C.J. Vanston | (as Jeffery CJ Vanston) | ||
Cinematography by | |||
| Adam Kimmel | (director of photography) | ||
| Kenneth MacMillan | (director of photography) | ||
Film Editing by | |||
| Ronald Roose | |||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Production Design by | |||
| Joseph T. Garrity | |||
Art Direction by | |||
| Pat Tagliaferro | |||
Set Decoration by | |||
| Linda Allen | |||
Costume Design by | |||
| Durinda Wood | |||
Makeup Department | |||
| Angela Moos | .... | makeup department head | |
| Peter Owen | .... | wig stylist | |
| Cheri Ruff | .... | hair stylist | |
| Kate Shorter | .... | key hair stylist | |
| Julie Travis-Socash | .... | makeup artist (as Julie Sogash) | |
| Melissa A. Yonkey | .... | key makeup stylist (as Melissa Yonkey) | |
Production Management | |||
| Mary Kane | .... | unit production manager | |
Art Department | |||
| Paige Bassett | .... | construction coordinator (as E. Paige Bassett) | |
| John Bloom | .... | construction | |
| Vern Crofoot | .... | props | |
| Tony Gardner | .... | special props | |
| Steve George | .... | assistant property master (as Stephen H. George) | |
| Brian Hall | .... | construction | |
| David E. Harshbarger | .... | property master | |
| Mervyn Johnson | .... | construction coordinator (as Mervyn L. Johnson) | |
| Thomas V. Johnson | .... | stand-by painter (as Thomas Johnson) | |
| Mark David Kersey | .... | props | |
| Teusa Koiwai | .... | assistant property master | |
| David Lombard | .... | lead man | |
| Valdemar Membrila | .... | construction | |
| Kurt Miller | .... | carpenter | |
| Sergio Ramos | .... | construction | |
| Michael Ruby | .... | signwriter | |
| Debi Shirk Tagliaferro | .... | art department researcher | |
| Mark Vena | .... | storyboard artist | |
| Kon Iliov | .... | gangboss (uncredited) | |
| Richard N. McGuire | .... | carpenter (uncredited) | |
Sound Department | |||
| George Berndt | .... | adr supervisor | |
| Andrew Bock | .... | assistant sound editor | |
| Lawrence L. Commans | .... | boom operator (as Mark Commans) | |
| Mark Commans | .... | boom operator | |
| Gary Gegan | .... | sound re-recording mixer | |
| Allan Hartz | .... | dialogue editor (as Allen Hartz) | |
| Ellen Heuer | .... | foley artist | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| David Jobe | .... | foley mixer | |
| Jonathan Klein | .... | foley editor | |
| Kevin Kubota | .... | cable | |
| James Moriana | .... | foley artist | |
| Bob Newlan | .... | dialogue editor | |
| Mark Pappas | .... | foley artist | |
| Mark Steinbeck | .... | cable | |
| Hamilton Sterling | .... | supervising sound editor | |
| John Joseph Thomas | .... | sound effects editor | |
| Mark Weingarten | .... | production sound mixer | |
Special Effects by | |||
| Charles Belardinelli | .... | special effects coordinator (as Charles 'O.C.' Belardinelli) | |
| Thomas L. Bellissimo | .... | special effects coordinator (as Tommy 'Brooklyn' Bellissimo) | |
| Carole Cowley | .... | special effects associate producer | |
| Jerry Donegan | .... | special effects technician (as Jerry Donegan Jr.) | |
| Johnny Franco III | .... | special effects technician | |
| Johnny Franklin | .... | special effects technician | |
| Jim Greenall | .... | animatronic designer and fabricator: bear and eagle | |
| Doug Hudson | .... | puppeteer | |
| Malia Thompson | .... | special effects assistant | |
| Shannon J. Thompson | .... | special effects key (as Shannon Thompson) | |
Visual Effects by | |||
| Scott Dougherty | .... | visual effects producer: Cinesite | |
| Rocco Gioffre | .... | matte artist | |
| Karen Klein | .... | rotoscope artist | |
| Brad Kuehn | .... | visual effects supervisor | |
| Vincent Lavares | .... | technical assistant supervisor: Cinesite | |
| Dan Levitan | .... | compositor | |
| Bob Lyss | .... | digital compositor | |
| Mark Michaels | .... | composite supevisor | |
| Kimberly K. Nelson | .... | visual effects coordinator | |
| Cristin Pescosolido | .... | match move supervisor | |
| Thomas Randell | .... | visual effects | |
| Carl Seibert | .... | visual effects producer | |
| Tony Sgueglia | .... | data operations supervisor | |
| Carole Cowley | .... | visual effects production coordinator: Cinesite (uncredited) | |
| Tiffany Smith | .... | visual effects production assistant: Cinesite (uncredited) | |
Animation Department | |||
| Jim Boulden | .... | animatronics and puppets creator | |
Casting Department | |||
| Lynda Halligan | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Augusta | .... | additional set costumer | |
| Mary Cheung | .... | costumer | |
| Luff Fischer | .... | costumer | |
| Suzanne Flores | .... | costumer (as Suzanne M. Flores) | |
| Marcy Grace Froehlich | .... | assistant costume designer | |
| Deborah Hall | .... | key costumer | |
| Christine Heinz | .... | costumer | |
| Susan Kistler | .... | costumer | |
| Amanda Blythe Linder | .... | costume production assistant | |
| Dennis McCarthy | .... | costumer | |
| David S. Powell | .... | set costumer (as Dave Powell) | |
| Eileen Sieff Stroup | .... | wardrobe supervisor | |
| Christine Wada | .... | set costumer | |
| Tyra Youland | .... | set costumer | |
Editorial Department | |||
| Tanya Beilke | .... | post-production coordinator | |
| Daniel Candib | .... | assistant editor | |
| Gloria Kaiser | .... | color timer | |
| Sandra Montiel | .... | first assistant editor | |
| Steve New | .... | negative cutter (as Steve New) | |
| Eric Rigney | .... | avid technician | |
| Tina Wilson | .... | second assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
| Dale Jones | .... | avid technician (uncredited) | |
| Ryan Quigley | .... | apprentice editor (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor (as Peter Anthony) | |
| Shelly Berg | .... | orchestrator | |
| David Cole | .... | music mixer | |
| Bobby Fernandez-Hewitt | .... | main score recordist (as Bobby Fernandez) | |
| Bruce Fowler | .... | orchestrator | |
| Tom Halm | .... | orchestrator | |
| Christopher Kennedy | .... | music editor | |
| Richard Marx | .... | orchestrator (as Dick Marx) | |
| Marek Szpakiewicz | .... | musician: cello | |
| Jeffrey C.J. Vanston | .... | orchestrator (as Jeffery CJ Vanston) | |
Transportation Department | |||
| Paul Korpal | .... | driver: cast | |
| Brian Maguire | .... | transportation captain | |
| Marty Radcliff | .... | driver | |
| Jonathan A. Rosenfeld | .... | transportation coordinator (as Jonathan Rosenfeld) | |
| Dwight Wood | .... | transportation captain | |
Other crew | |||
| Cody Flynn Alexander | .... | production assistant | |
| Allen Alibudbud | .... | set staff assistant | |
| Alvin Alibudbud | .... | set staff assistant | |
| Kris Andersson | .... | ballroom dancer | |
| Tammy Apana | .... | second assistant accountant | |
| Tanya Beilke | .... | assistant: Ms. DiNovi | |
| Mauri Bernstein | .... | puppeteer | |
| Susan J. Bonno-Buckner | .... | first assistant accountant | |
| Mark Bronson | .... | post-production accountant | |
| Kelly Bryman | .... | office staff assistant | |
| Kellie Burbach | .... | office staff assistant | |
| Robert Burns | .... | set medic | |
| Sara Burton | .... | unit location manager: reshoot | |
| Robert C. Campion | .... | production accountant: additional photography | |
| Maria Cina | .... | ballroom dancer | |
| Gary Michael Clark | .... | payroll accountant | |
| Mark Coppola | .... | set staff assistant | |
| Anthony De Longis | .... | sword master (as Anthony DeLongis) | |
| Dennis Derengowski | .... | set medic | |
| Brian Dettor | .... | office staff assistant | |
| Ted Dondanville | .... | assistant: Mr. Farley | |
| Andrew Durham | .... | production coordinator | |
| Anne Fletcher | .... | ballroom dancer | |
| Michael T. Ford | .... | office staff assistant (as Mike Ford) | |
| David Fulton | .... | unit publicist | |
| Elise Ganz | .... | studio teacher (as Elise Ganz Samuelson) | |
| Jim Greenall | .... | puppeteer | |
| Gordon Hart | .... | ballroom dancer | |
| A. Ideth Hernandez | .... | assistant: Mr. Kane | |
| Andie Hicks | .... | ballroom dancer | |
| Scott Hislop | .... | ballroom dancer | |
| Erik Hyler | .... | ballroom dancer | |
| Heidi Johnson | .... | assistant: Mr. Guest | |
| Anushka Jones | .... | ballroom dancer | |
| Steve Jones | .... | river coordinator | |
| Matthew Kill Fawver | .... | office staff assistant | |
| Paul Korpal | .... | production assistant | |
| Andrew Loo | .... | production associate | |
| Lance MacDonald | .... | ballroom dancer | |
| Stacey L. McCormick | .... | projectionist | |
| Michael McKean | .... | project consultant | |
| Michael Neale | .... | location manager (as Mike Neale) | |
| Scott Nemes | .... | office staff assistant | |
| Tristan Oliver | .... | production assistant | |
| Dave Parker | .... | office staff assistant (as David Parker) | |
| Erica Pearce | .... | key set staff assistant | |
| Beverly Polcyn | .... | ballroom dancer | |
| Ryan Quigley | .... | office staff assistant | |
| Rachel Ramist | .... | office staff assistant | |
| Robin Reed | .... | set staff assistant | |
| Julene Renee | .... | ballroom dancer | |
| Paul 'Sled' Reynolds | .... | animal wrangler (as Sled Reynolds) | |
| Michael A. Schumacher | .... | office staff assistant | |
| Adam Shankman | .... | choreographer | |
| Deanna Stadler | .... | set staff assistant | |
| John Starr | .... | key craft service | |
| Janna Stern | .... | script supervisor | |
| Michelle Stone | .... | assistant: Mr. Guest | |
| Tony Swatton | .... | armorer | |
| Christopher W. Trott | .... | location manager | |
| Gwynn Turnbull | .... | head wrangler | |
| Christian Wadman | .... | office staff assistant | |
| Moira Walley | .... | assistant: Mr. Perry | |
| Tim Weske | .... | sword master | |
| Martin C. Wetherall | .... | set staff assistant (as Martin Wetherall) | |
| Karen White | .... | location manager: second unit | |
| Bennie Zura | .... | set staff assistant | |
| Ralph Berge | .... | production executive (uncredited) | |
| Tim Weske | .... | fencing double (uncredited) | |
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In 1804, President Thomas Jefferson commissioned Lewis and Clark to explore the newly acquired Louisiana Territory and find a route to the Pacific. Other explorers followed Lewis and Clark but didn't become famous--if you believe this movie.
Among these less well-known explorers was Leslie Edwards, who seemed too much of a spoiled rich kid to spend time in the untamed wilderness--which is why he tried at first to take all the comforts of home with him, including a slave. He needed an expert tracker, but for some reason he had to settle for a man who was in the process of being hanged for drunk and disorderly conduct that included forcing a military officer to waltz. Supposedly, President Jefferson had commuted that sentence, but the signature could have been forged.
The rest of the crew was nothing to brag about. In fact, a number of them, after hearing they would have to travel upstream, wanted to take the easy way out and go to New Orleans instead. One old geezer simply wanted to see the Pacific but got out of doing any work because he was ... well, old. Guy Fontenot claimed to know all the languages of the Indian tribes the group would encounter. But the first time he was called on to translate, he explained that the language was one he didn't know. He brought along the Indian maiden Shaquinna and was insanely jealous whenever anyone would even look at her.
Along the way to the Pacific, our heroes encountered a number of strange Indians and even stranger villains such as Hidalgo. They also visited a full-fledged community established by whites--highly unlikely, but then, this wasn't supposed to be historically accurate.
This was a very funny movie, but whether it was quality depends on one's interpretation. For me, this was quite entertaining. Some examples: Bidwell loses an ear, and Pratt picks it up and speaks into it--for the rest of the movie--believing Bidwell will be able to hear him. And Hunt climbed a tree to get an eagle's egg--three times. I won't say why it had to be three times, or why he really regretted the second and third trips. But it was the highlight of the whole movie. There was also a scene where an Indian kept slapping the white men because they did not respect his customs. Or was that the real reason? And the entire movie was filled with physical comedy such as falling off cliffs.
One criticism--if Matthew Perry was supposed to have a British accent, or at least the accent of New England aristocracy, he seemed to forget in the more strenuous scenes.
The objective was to get to the Pacific before Lewis and Clark. Did they? Of course I can't say. I can say that from a distance in several scenes, we could see what appeared to be two men and an Indian woman, and a dog. Whether they made it or not, the effort was certainly one to be enjoyed.