7 out of 7 people found the following comment useful :- Great fun!, 19 May 1999
Author:
avatar6 from Oregon
I truly love this flick! It is so terribly funny, I find myself laughing
until I cry! Very few movies have this effect on me. It's not a deep, or
thought-provoking film, but that's not its purpose, either. I enjoy this
movie for its subtle and not-so-subtle humor. The plot is simple, yet
feasible and perfect. I really cannot say much, except that it is a fun
ride, and worth a look! If you're having a glum day, this is a great
"pick-me-up!"
6 out of 6 people found the following comment useful :- One of Sam Neill's best roles, 1 July 2003
Author:
thesnowleopard from Scotland
There's an opening scene where Sam Neill's short-order cook
hero has a fatal encounter with a tin can that anyone who's ever
tried to sleep off a particularly nasty hangover can fully understand.
If it makes you laugh, keep going. Chances are, you'll enjoy the
whole movie. If you don't laugh, go back to "The Sound of Music";
this movie is not for you.
Neill is dead-on accurate as the epitome of every short-order cook
that has ever been and his comic timing is brilliant. I picked this
film up several years ago and Neill's role in it is still one of my
favourites. Sure, he's slumming, but oh, how well he does it. You
can just see how much fun he must have had with the role. If you
are a Sam Neill fan, definitely give this one a try--if you can find
it!
6 out of 6 people found the following comment useful :- An absolute hoot, 10 May 2002
Author:
leask81 from adelaide, australia
Down-and-out, luckless, alcoholic chef Carl (Neill) takes a job in a seedy
bar in Brunswick, where the basement kitchen is infested with pests. He
soon learns that his kitchen-hand Mustafa (Lathouris) is a Turkish
drug-dealer, and his Greek boss Yanni (Papademetriou) heads a pack of
hit-men which also includes the angry Laurie (Brkic). His one saving grace
is nineteen-year-old barmaid Sophie (Carides) half his age, but incredibly
beautiful but it seems she's promised to Yanni. What's more, his elderly
mother has come to visit. One of the funniest Australian comedies of the
early 1990s, it's eighties all over, as Carl becomes embroiled in an ethnic
war when he only wants to be with Sophie. Neill is fantastic his comedic
roles are few and far between, but his timing is immaculate. Carides is in
one of her best roles one may have expected her sister Gia to take more to
such a role, but Zoe pulls it off magnificently. But the best role in this
film is that of Clarke's those who know him from THE 7:30 REPORT or THE
GAMES will be totally unprepared for seeing him as a working-class slob
(albeit with a typically quick wit) who digs graves during the day. This is
arguably director Ruane's best work, although FEATHERS and DEAD LETTER
OFFICE remain strong contenders. 7/10.
4 out of 4 people found the following comment useful :- John Clarke at his Finest, 14 February 2005
Author:
Henry_Porter-1 from Brownsville
Funny how two Kiwis (John Clarke & Sam Neill) have made one of the best
and most keenly observed films ever made about the inner suburbs of
Melbourne and sad how the only reviewers who couldn't appreciate its
humour came from the southern states of the USA. Perhaps the humour
came out of references that were a little too specific for people who
haven't experienced post second war Melbourne and the effect that the
large influx of southern European migrants had on both the city and the
migrants themselves over the second half of the twentieth century. John
Clarke, who another reviewer rightly said could be funny reading a
phone book, steals the movie as the laconic friend of Sam Neill, the
weak but likable hero of the story. Clarke played a significant part in
the writing of the movie, which has a much lighter touch than the book
upon which it its based, and his character gets many of the best lines.
Sam Neill is terrific as the hapless hero of the piece, Ms Carides has
an appeal that no "thirty something" male could resist, and the
supporting characters including "Cookie's" domineering mother, Sophies'
fearsome father, Clarke's no-nonsense wife, the club's sleazy owner and
his dopey flunkies, and the drug dealing Turk and his associates are
all just flawless. There may be parts of the world that contain people
sufficiently insular to not appreciate this movie's humour or the way
it shows a weak man dealing with and coming to terms with the forces
that have oppressed him and one can but feel sorry for them. For the
rest of us its a both a movie to bring a wry smile to our faces and a
warning against eating crunchy pizzas.
3 out of 3 people found the following comment useful :- Sam Neill plays against type and gives us an anti-hero to die for, 2 August 2005
Author:
rcathcart from United Kingdom
Death in Brunswick is a smashing wee film. It comes from that venerable
antipodean tradition of the "cooky" movie - see: almost anything by Baz
Luhrmann or films like The Team, Goodbye Pork Pie, Don's Party, Cars
that ate Paris etc etc. Off beat doesn't describe this kind of film -
so talk about refreshing. Just when you think the narrative is heading
along in a "I-sort-of-get-this" direction - some new character or plot
device comes up and wryly calls you over and says: nah that would be
too boring.
Fear not though this isn't laboured zaniness or posturing surreality -
this is clever, clever, clever stuff - character driven, funny as...and
basically something to get you thinking. And get this: someone actually
sat in a room somewhere and thought: "Right we'll get that handsome Sam
Neill guy and make him a play a weedy loser who lives with his mum."
???Only in Oz. No wonder the man himself ranks this gem among his
favourite movies.
3 out of 3 people found the following comment useful :- A Gem of Early 90's Australian Cinema, 19 April 2005
Author:
cmjl-1 from Adelaide, Australia
From the moment the film opens, depicting aluminium cans rolling
ceaselessly (and noisily) in the wind, along with the elderly Greek
ladies putting this year's Christmas trees into the wrecked Austin 1800
(stuffed next to previous year's Christmas trees), you know that this
film is going to be a little different.
Melbourne, one of the most multi-cultural metropolis's in the world
(should that be metropoli?) is the setting for this rather dark comedy
drama. Carl, an unemployed and very much down on his luck chef, gets a
job at a less than reputable nightclub in the Melbourne suburb of
Brunswick. He falls in love with one of the Greek barmaids, much to the
consternation of the owner of the bar who has been betrothed to the
barmaid. Not helping matters much is a Turkish kitchen hand, who
appears to want to spend more time trading in stolen goods and drugs
than actually working as a kitchen hand.
When matters escalate out of hand, Carl needs the specialist help that
only his friend, Dave can provide. If it can be said that a good friend
will help you move (house), it's fair to say that only a true friend
will help you move - a body, and as a gravedigger at the local cemetery
Dave is in the ideal position to help "dispose" of one of Carl's
kitchen disasters.
Along the way, Dave is pestered by his Feminist-rights movement wife
who spends most of her on-screen time berating Dave for his pathetic
life, while Carl spends his time being roughed up by the nightclub
bouncer, roughed up by a Turkish crime syndicate, or, more worryingly,
being berated and belittled by his mother.
A truly enjoyable Australian film from the early 1990's, though
apparently not available in Australia - I had to get my copy from the
UK, though fortunately the UK release is region free.
3 out of 3 people found the following comment useful :- BLACK comedy, folks (and a very good one too), 18 May 2003
Author:
cyclonev from Perth, Western Australia
I enjoyed DIB and don't have much to add to the other positive reviews
posted, however I just had to comment on the couple of reviews questioning
whether it was a comedy. If you don't understand and enjoy BLACK comedy then
don't watch a black comedy and expect to enjoy it! Surely the title should
give you a pretty good clue as to whether you're going to like it or not. If
you find the idea of death/grim subjects innately unfunny then switch
off!
I find it tremendously sad, but not surprising, that there are so many
people in the world who can't find something funny unless it's "clean" and
"nice". What a loss for them. Oh well, all the more for the rest of
us!
2 out of 2 people found the following comment useful :- Anti - Batman and Robin in Necropolis..., 2 May 2006
Author:
mperelmuter-1 from Australia
Dave is the hero of the movie. ¿Who would squash the head of a dead and
rotting body just to make a favor to his/her friend? I would not have
the guts. The cemetery scenes are both absolute hilarious and insane: 2
friends dragging a dead and farting body into an open grave to create
the perfect crime. The Police haven't found the corpse yet. They will
never do. And Dave's family complaining because he stinks death
Priceless. Cookie is a loser but he has ¿some sex appeal maybe? He
also creates all the trouble. I think that Cookie has suffered a
lobotomy, and Dave helps him to overcome the problem. You would love
these guys. Brunswick is a very horrible place. I visited this suburb
in Melbourne and the only missing thing is the Adam's family house.
9/10.
1 out of 1 people found the following comment useful :- Dark Aussie Humour, 22 August 2007
Author:
gcd70 from Melbourne, Australia
*** This comment may contain spoilers ***
This all Australian production is both original and darkly funny. Sam
Neill plays a dopey cook who, after meeting an attractive night-club
waitress, has an incredible run of bad luck. Zoe Carides is very sexy
as Neill's nineteen year old love, while John Clarke provides great
support as his best friend Dave.
"Death in Brunswick" is a fine debut from writer-director John Ruane
(co-written with Boyd Oxley), as he brings us many moments of hilarity.
Last but not least, Sam Neill himself makes a likable, if very
non-directional hero, as Carl Fitzgerald. Fantastic to see home grown
humour done as well as this.
Friday, January 17, 1992 - Video
1 out of 1 people found the following comment useful :- Great Australian Films, 4 May 2007
Author:
flossnthewind from Australia
Great film. I worked with John a few years back on a short film that
never got made. We had a great time and I really wish my movie went
further. He was a great director to work with, had some odd ideas, but
hey, that's awesome, and Death in Brunswick was a great Australian
film. I reckon you , JOHN, should go all out and make that ideal dream
film. The one with all your crazy, whacked out ideas. Like the one with
the kids that buried their principle under the oval. That was seriously
cool. Cant wait to see some more Ruane films. Hope you're still at it
John. You kicked butt back then and I'm sure you still can. Well I'm
running out of lines cause this thing says I need ten lines to submit
it. OK I think that's enough.
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Death in Brunswick (1991)
7 out of 7 people found the following comment useful :-

Great fun!, 19 May 1999
Author: avatar6 from Oregon
I truly love this flick! It is so terribly funny, I find myself laughing until I cry! Very few movies have this effect on me. It's not a deep, or thought-provoking film, but that's not its purpose, either. I enjoy this movie for its subtle and not-so-subtle humor. The plot is simple, yet feasible and perfect. I really cannot say much, except that it is a fun ride, and worth a look! If you're having a glum day, this is a great "pick-me-up!"
6 out of 6 people found the following comment useful :-

One of Sam Neill's best roles, 1 July 2003
Author: thesnowleopard from Scotland
There's an opening scene where Sam Neill's short-order cook hero has a fatal encounter with a tin can that anyone who's ever tried to sleep off a particularly nasty hangover can fully understand. If it makes you laugh, keep going. Chances are, you'll enjoy the whole movie. If you don't laugh, go back to "The Sound of Music"; this movie is not for you.
Neill is dead-on accurate as the epitome of every short-order cook that has ever been and his comic timing is brilliant. I picked this film up several years ago and Neill's role in it is still one of my favourites. Sure, he's slumming, but oh, how well he does it. You can just see how much fun he must have had with the role. If you are a Sam Neill fan, definitely give this one a try--if you can find it!
6 out of 6 people found the following comment useful :-

An absolute hoot, 10 May 2002
Author: leask81 from adelaide, australia
Down-and-out, luckless, alcoholic chef Carl (Neill) takes a job in a seedy bar in Brunswick, where the basement kitchen is infested with pests. He soon learns that his kitchen-hand Mustafa (Lathouris) is a Turkish drug-dealer, and his Greek boss Yanni (Papademetriou) heads a pack of hit-men which also includes the angry Laurie (Brkic). His one saving grace is nineteen-year-old barmaid Sophie (Carides) half his age, but incredibly beautiful but it seems she's promised to Yanni. What's more, his elderly mother has come to visit. One of the funniest Australian comedies of the early 1990s, it's eighties all over, as Carl becomes embroiled in an ethnic war when he only wants to be with Sophie. Neill is fantastic his comedic roles are few and far between, but his timing is immaculate. Carides is in one of her best roles one may have expected her sister Gia to take more to such a role, but Zoe pulls it off magnificently. But the best role in this film is that of Clarke's those who know him from THE 7:30 REPORT or THE GAMES will be totally unprepared for seeing him as a working-class slob (albeit with a typically quick wit) who digs graves during the day. This is arguably director Ruane's best work, although FEATHERS and DEAD LETTER OFFICE remain strong contenders. 7/10.
4 out of 4 people found the following comment useful :-
John Clarke at his Finest, 14 February 2005
Author: Henry_Porter-1 from Brownsville
Funny how two Kiwis (John Clarke & Sam Neill) have made one of the best and most keenly observed films ever made about the inner suburbs of Melbourne and sad how the only reviewers who couldn't appreciate its humour came from the southern states of the USA. Perhaps the humour came out of references that were a little too specific for people who haven't experienced post second war Melbourne and the effect that the large influx of southern European migrants had on both the city and the migrants themselves over the second half of the twentieth century. John Clarke, who another reviewer rightly said could be funny reading a phone book, steals the movie as the laconic friend of Sam Neill, the weak but likable hero of the story. Clarke played a significant part in the writing of the movie, which has a much lighter touch than the book upon which it its based, and his character gets many of the best lines. Sam Neill is terrific as the hapless hero of the piece, Ms Carides has an appeal that no "thirty something" male could resist, and the supporting characters including "Cookie's" domineering mother, Sophies' fearsome father, Clarke's no-nonsense wife, the club's sleazy owner and his dopey flunkies, and the drug dealing Turk and his associates are all just flawless. There may be parts of the world that contain people sufficiently insular to not appreciate this movie's humour or the way it shows a weak man dealing with and coming to terms with the forces that have oppressed him and one can but feel sorry for them. For the rest of us its a both a movie to bring a wry smile to our faces and a warning against eating crunchy pizzas.
3 out of 3 people found the following comment useful :-

Sam Neill plays against type and gives us an anti-hero to die for, 2 August 2005
Author: rcathcart from United Kingdom
Death in Brunswick is a smashing wee film. It comes from that venerable antipodean tradition of the "cooky" movie - see: almost anything by Baz Luhrmann or films like The Team, Goodbye Pork Pie, Don's Party, Cars that ate Paris etc etc. Off beat doesn't describe this kind of film - so talk about refreshing. Just when you think the narrative is heading along in a "I-sort-of-get-this" direction - some new character or plot device comes up and wryly calls you over and says: nah that would be too boring.
Fear not though this isn't laboured zaniness or posturing surreality - this is clever, clever, clever stuff - character driven, funny as...and basically something to get you thinking. And get this: someone actually sat in a room somewhere and thought: "Right we'll get that handsome Sam Neill guy and make him a play a weedy loser who lives with his mum." ???Only in Oz. No wonder the man himself ranks this gem among his favourite movies.
3 out of 3 people found the following comment useful :-

A Gem of Early 90's Australian Cinema, 19 April 2005
Author: cmjl-1 from Adelaide, Australia
From the moment the film opens, depicting aluminium cans rolling ceaselessly (and noisily) in the wind, along with the elderly Greek ladies putting this year's Christmas trees into the wrecked Austin 1800 (stuffed next to previous year's Christmas trees), you know that this film is going to be a little different.
Melbourne, one of the most multi-cultural metropolis's in the world (should that be metropoli?) is the setting for this rather dark comedy drama. Carl, an unemployed and very much down on his luck chef, gets a job at a less than reputable nightclub in the Melbourne suburb of Brunswick. He falls in love with one of the Greek barmaids, much to the consternation of the owner of the bar who has been betrothed to the barmaid. Not helping matters much is a Turkish kitchen hand, who appears to want to spend more time trading in stolen goods and drugs than actually working as a kitchen hand.
When matters escalate out of hand, Carl needs the specialist help that only his friend, Dave can provide. If it can be said that a good friend will help you move (house), it's fair to say that only a true friend will help you move - a body, and as a gravedigger at the local cemetery Dave is in the ideal position to help "dispose" of one of Carl's kitchen disasters.
Along the way, Dave is pestered by his Feminist-rights movement wife who spends most of her on-screen time berating Dave for his pathetic life, while Carl spends his time being roughed up by the nightclub bouncer, roughed up by a Turkish crime syndicate, or, more worryingly, being berated and belittled by his mother.
A truly enjoyable Australian film from the early 1990's, though apparently not available in Australia - I had to get my copy from the UK, though fortunately the UK release is region free.
3 out of 3 people found the following comment useful :-

BLACK comedy, folks (and a very good one too), 18 May 2003
Author: cyclonev from Perth, Western Australia
I enjoyed DIB and don't have much to add to the other positive reviews posted, however I just had to comment on the couple of reviews questioning whether it was a comedy. If you don't understand and enjoy BLACK comedy then don't watch a black comedy and expect to enjoy it! Surely the title should give you a pretty good clue as to whether you're going to like it or not. If you find the idea of death/grim subjects innately unfunny then switch off!
I find it tremendously sad, but not surprising, that there are so many people in the world who can't find something funny unless it's "clean" and "nice". What a loss for them. Oh well, all the more for the rest of us!
2 out of 2 people found the following comment useful :-

Anti - Batman and Robin in Necropolis..., 2 May 2006
Author: mperelmuter-1 from Australia
Dave is the hero of the movie. ¿Who would squash the head of a dead and rotting body just to make a favor to his/her friend? I would not have the guts. The cemetery scenes are both absolute hilarious and insane: 2 friends dragging a dead and farting body into an open grave to create the perfect crime. The Police haven't found the corpse yet. They will never do. And Dave's family complaining because he stinks death Priceless. Cookie is a loser but he has ¿some sex appeal maybe? He also creates all the trouble. I think that Cookie has suffered a lobotomy, and Dave helps him to overcome the problem. You would love these guys. Brunswick is a very horrible place. I visited this suburb in Melbourne and the only missing thing is the Adam's family house. 9/10.
1 out of 1 people found the following comment useful :-
Dark Aussie Humour, 22 August 2007
Author: gcd70 from Melbourne, Australia
*** This comment may contain spoilers ***
This all Australian production is both original and darkly funny. Sam Neill plays a dopey cook who, after meeting an attractive night-club waitress, has an incredible run of bad luck. Zoe Carides is very sexy as Neill's nineteen year old love, while John Clarke provides great support as his best friend Dave.
"Death in Brunswick" is a fine debut from writer-director John Ruane (co-written with Boyd Oxley), as he brings us many moments of hilarity. Last but not least, Sam Neill himself makes a likable, if very non-directional hero, as Carl Fitzgerald. Fantastic to see home grown humour done as well as this.
Friday, January 17, 1992 - Video
1 out of 1 people found the following comment useful :-

Great Australian Films, 4 May 2007
Author: flossnthewind from Australia
Great film. I worked with John a few years back on a short film that never got made. We had a great time and I really wish my movie went further. He was a great director to work with, had some odd ideas, but hey, that's awesome, and Death in Brunswick was a great Australian film. I reckon you , JOHN, should go all out and make that ideal dream film. The one with all your crazy, whacked out ideas. Like the one with the kids that buried their principle under the oval. That was seriously cool. Cant wait to see some more Ruane films. Hope you're still at it John. You kicked butt back then and I'm sure you still can. Well I'm running out of lines cause this thing says I need ten lines to submit it. OK I think that's enough.
TySe
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