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Kinski Paganini (1989)
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Overview
Release Date:
25 May 1990 (Italy) morePlot:
Kinski believed that he lived through the same experiences as the legendary "devil violinist" Niccolo Paganini... more | add synopsisPlot Keywords:
User Comments:
One bizarre but fascinating vision and experience moreCast
(Credited cast) | Klaus Kinski | ... | Niccolo Paganini |
 | Deborah Caprioglio | ... | Antonia Bianchi (as Debora Kinski) |
 | Nikolai Kinski | ... | Achille Paganini |
| Dalila Di Lazzaro | ... | Helene von Feuerbach |
| Tosca D'Aquino | ... | Angiolina Cavanna |
| Eva Grimaldi | ... | Marie Anna Elise Bonaparte |
| Beba Balteano | ... | Carol Watson |
| Fabio Carfora | ... | Mr. Watson |
| Donatella Rettore | ... | Miss Wells |
| Bernard Blier | ... | Pater Caffarelli |
| André Thorent | ... | Galvano |
 | Marcel Marceau | ... | Pantomime |
| rest of cast listed alphabetically: | |||
| Feodor Chaliapin Jr. | ||
| Vittorio Ciorcalo | ||
| Niels Gullov | ||
| Luigi Leoni | ||
| Hermann Weisskopf | ||
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
81 min | 95 min (director's cut)Language:
ItalianColor:
ColorAspect Ratio:
1.66 : 1 moreMOVIEmeter: 
24% since last week
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Discuss this title with other users on IMDb message board for Kinski Paganini (1989)| Recent Posts (updated daily) | User |
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| DVD? | anlehto |
| Kinski Paganini | luciferproscriptus |
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In this movie, Kinski gives his last great performance as the 19th century italian violin virtuoso Nicolo Paganini. People even say that Kinski is his reincarnation. At least, what we can say is that Kinski adopted the violin player's lifestyle. Paganini, in his time, was considered the first "rock star" even though rock wasn't even invented yet because he lived a life saturated with late parties, orgies and sexcapades of all kinds. No moral law, Carpe Diem all the way! Kinski was working on this project since the early 1970s. It was his little baby. And even though its narration is without any narration, with no genuinelike biographical anecdotes, its incoherent editing illustrates with wit, passion and violence what the murky worlds of Paganini and Kinski were all about. But beware, sensible people should pass this one.