| Photos (see all 11 | slideshow) |
| Dolph Lundgren | ... | He-Man | |
| Frank Langella | ... | Skeletor | |
| Meg Foster | ... | Evil-Lyn | |
| Billy Barty | ... | Gwildor | |
| Courteney Cox | ... | Julie Winston | |
| Robert Duncan McNeill | ... | Kevin Corrigan | |
| Jon Cypher | ... | Duncan (Man-at-Arms) | |
| Chelsea Field | ... | Teela | |
| James Tolkan | ... | Detective Lubic | |
| Christina Pickles | ... | Sorceress of Castle Grayskull | |
| Tony Carroll | ... | Beastman | |
| Pons Maar | ... | Saurod | |
| Anthony De Longis | ... | Blade | |
| Robert Towers | ... | Karg | |
| Barry Livingston | ... | Charlie | |
| Jessica Nelson | ... | Monica | |
| Gwynne Gilford | ... | Mrs. Winston | |
| Walter Scott | ... | Mr. Winston | |
| Walter Robles | ... | Carl the Janitor | |
| Cindi Eyman | ... | Gloria | |
| Peter Brooks | ... | Narrator | |
| Richard Szponder | ... | Pigboy |
Directed by | |||
| Gary Goddard | |||
Writing credits | ||
| David Odell | (written by) | |
| Donald F. Glut | characters (uncredited) | |
| Stephen Tolkin | uncredited | |
Original Music by | |||
| Bill Conti | |||
Cinematography by | |||
| Hanania Baer | |||
Film Editing by | |||
| Anne V. Coates | |||
Casting by | |||
| Victoria Thomas | |||
Production Design by | |||
| William Stout | |||
Art Direction by | |||
| Robert Howland | |||
Set Decoration by | |||
| Daniel Gluck | |||
| Mike Johnson | |||
| Kathe Klopp | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Robin Beauchesne | .... | makeup artist | |
| Lori Benson | .... | hair stylist | |
| Angelo Di Biase | .... | hair stylist for Mr. Lundgren | |
| Lauren Hartigan | .... | body makeup | |
| James Kagel | .... | makeup lab sculptor | |
| Todd McIntosh | .... | makeup department head | |
| Zandra Platzek | .... | hair stylist | |
| Gerald Quist | .... | makeup lab foreman | |
| June Westmore | .... | makeup artist (as June Haymore-Pipkin) | |
| Michael Westmore | .... | makeup designer | |
| Michael Burnett | .... | special makeup effects assistant (uncredited) | |
| Lisa Rocco | .... | makeup effects lab technician (uncredited) | |
Art Department | |||
| Nancy Booth | .... | set dresser | |
| Lynn Christopher | .... | assistant art director | |
| Sharlene Ciraolo | .... | lead scenic painter | |
| Edward Eyth | .... | conceptual artist | |
| Ellen Freund | .... | property manager | |
| Jean Giraud | .... | conceptual artist | |
| Joe Griffith | .... | conceptual artist (as J.E. Griffith) | |
| George Jenson | .... | conceptual artist | |
| Andrew Kennedy | .... | set dresser | |
| Douglas E. Maxwell | .... | lead man | |
| John Hammer Maxwell | .... | set dresser | |
| Claudio Mazzoli | .... | conceptual artist | |
| Jimy Murphy | .... | set dresser | |
| David J. Negron | .... | storyboard illustrator | |
| Josh Olson | .... | art department production assistant | |
| Mary K. Perko | .... | art department coordinator | |
| Michael Reinhart | .... | construction foreman | |
| Leo Rijn | .... | lead sculptor | |
| Rachel Rosenthal | .... | production design coordinator | |
| Benjamin Thompson | .... | carpenter | |
| David Touster | .... | property assistant | |
| Douglas Turner | .... | armour construction coordinator | |
| Ron Woods | .... | assistant property master | |
| Curtis Yackel | .... | carpenter | |
Special Effects by | |||
| Arthur Brewer | .... | special effects lead | |
| R.J. Hohman | .... | special effects technician | |
| Robert Hohmen | .... | special effects crew | |
| Ellen Kitz | .... | special effects supervisor | |
| Karl G. Miller | .... | special effects crew | |
| Malton Right | .... | special effects crew | |
| Larry Roberts | .... | special effects crew | |
| Paulette Smook Marshall | .... | special effects supervisor | |
| Leo Leoncio Solis | .... | special effects assistant | |
| Yancy Calzada | .... | creature mechanics (uncredited) | |
| Edward J. Franklin | .... | prop shop (uncredited) | |
Visual Effects by | |||
| Susan Alpert | .... | model shop coordinator | |
| Larz Anderson | .... | visual effects project leader: swords | |
| Michael Backauskas | .... | visual effects editor | |
| Don Baker | .... | visual effects camera | |
| Mat Beck | .... | visual effects camera | |
| Brent Boates | .... | visual effects art director | |
| Dave Chamberlain | .... | model shop production assistant | |
| Philip Crescenzo | .... | visual effects: technical supervisor | |
| Mark Dornfeld | .... | visual effects optical line-up | |
| Richard Edlund | .... | executive visual effects supervisor: Boss Film Studios | |
| Leslie Ekker | .... | model maker | |
| Leslie Ekker | .... | visual effects project leader: flying disks | |
| Leslie Falkinburg | .... | visual effects optical coordinator | |
| Donald Fly | .... | visual effects chief financial officer | |
| Adam Hill | .... | moldmaker/caster/fabricator/body impressions: weapons, stunt suit, Boss Films | |
| Robert Hippard | .... | visual effects production supervisor | |
| Neil Krepela | .... | visual effects matte department supervisor | |
| Mary Mason | .... | visual effects production coordinator | |
| Pat McClung | .... | visual effects project leader: weapons | |
| Rexford L. Metz | .... | visual effects director of photography: second unit | |
| Dennis Michelson | .... | visual effects editor | |
| Thaine Morris | .... | visual effects foreman | |
| Bill Neil | .... | visual effects director of photography (as William Neil) | |
| Lisa Neil | .... | visual effects animation coordinator | |
| James Nelson | .... | visual effects production advisor | |
| Chris Regan | .... | visual effects optical supervisor | |
| Eugene P. Rizzardi | .... | visual effects project leader: battle station | |
| Nick Seldon | .... | visual effects project leader: puppets | |
| Mark Stetson | .... | visual effects model shop supervisor | |
| Michael Sweeney | .... | visual effects optical line-up | |
| George Trimmer | .... | model maker | |
| Paul Van Camp | .... | software programmer | |
| Michael Van Himbergen | .... | visual effects coordinator | |
| Gary Waller | .... | visual effects supervisor (as Garry Waller) | |
| Gene Whiteman | .... | visual effects chief engineer | |
| Terry Windell | .... | visual effects art director | |
| Matthew Yuricich | .... | visual effects chief matte artist | |
| Stuart Ziff | .... | visual effects project leader: cosmic key | |
| Jon Macht | .... | animation camera operator (uncredited) | |
Stunts | |||
| Bobby Bell | .... | stunts (as Robert N. Bell) | |
| Brad Bovee | .... | stunts (as Bradley J. Bovee) | |
| Janet Brady | .... | stunts | |
| Tony Brubaker | .... | stunts | |
| Brian Burrows | .... | stunts | |
| Doc D. Charbonneau | .... | stunts | |
| Danny Costa | .... | stunts | |
| Charles Croughwell | .... | stunts | |
| Anthony De Longis | .... | stunt double: Mr. Langella | |
| Loren Janes | .... | stunt choreographer | |
| Kent Jordan | .... | stunts | |
| Clint Lilley | .... | stunts | |
| Ben Scott | .... | stunts | |
| John-Clay Scott | .... | stunts | |
| Walter Scott | .... | stunt coordinator | |
| Brian Smrz | .... | stunts | |
| Gregg Smrz | .... | stunts | |
Camera and Electrical Department | |||
| Mark Buckalew | .... | best boy electric | |
| Skip Cook | .... | key grip | |
| Rick Davis | .... | dolly grip | |
| Dan Elsasser | .... | camera operator | |
| Christopher Fenney | .... | electrician | |
| Michael Hofstein | .... | additional cinematographer | |
| Warren Kroeger | .... | best boy | |
| Richard Kuhn | .... | best boy grip | |
| Robert W. McCarty | .... | grip | |
| Ron McCausland | .... | key rigging grip | |
| Bob Myers | .... | grip | |
| Vince Onken | .... | grip | |
| Brian H. Reynolds | .... | key grip | |
| Mark Roemmich | .... | grip | |
| James Rosenthal | .... | gaffer | |
| Ken Sax | .... | still photographer | |
| David Schmalz | .... | videographer | |
| Randy Shanofsky | .... | assistant camera | |
| Mark A. Shelton | .... | grip | |
| Don Tomich | .... | electrician | |
| Ric Urbauer | .... | best boy grip | |
Animation Department | |||
| Mauro Maressa | .... | animator | |
Casting Department | |||
| Renee Milliken | .... | casting assistant | |
| Sally Pearle | .... | extras casting | |
Costume and Wardrobe Department | |||
| Allan A. Apone | .... | co-special costume supervisor | |
| John Franzblau | .... | wardrobe production assistant | |
| Carol Kunz | .... | costumer | |
| Lisa Lovaas | .... | costumer | |
| Marcie Olivi | .... | costumer | |
| Maurice Palinski | .... | costumer (as Frank Palinski) | |
| Joseph A. Porro | .... | costumes | |
| Lawrence Richter | .... | wardrobe supervisor | |
| Sharon Swenson | .... | costumer | |
| Isabella B. Van Soest | .... | assistant wardrobe | |
| Mira Zabadowski | .... | assistant wardrobe | |
Editorial Department | |||
| Christopher Cibelli | .... | assistant editor | |
| Sam Citron | .... | second assistant editor | |
| Helen Hahn | .... | negative cutter | |
| James D.R. Hickox | .... | apprentice editor | |
| Omneya 'Nini' Mazen | .... | post-production coordinator (as Omneya Mazen) | |
| Stephen R. Sheridan | .... | color timer | |
Music Department | |||
| Corrie Behrhorst | .... | music coordinator | |
| Bill Conti | .... | orchestrator | |
| Paula Erickson | .... | music supervisor | |
| Ralph Ferraro | .... | orchestrator | |
| Stephen A. Hope | .... | music editor | |
| William Kidd | .... | music supervisor | |
| William Kidd | .... | orchestrator | |
| Stephanie Lee | .... | music coordinator | |
| Bruce Miller | .... | conductor | |
| Bruce Miller | .... | music arranger | |
| Harry Rabinowitz | .... | conductor | |
| Joel Rosenbaum | .... | orchestrator | |
| Dan Wallin | .... | score mixer | |
| Rick Winquest | .... | music mixer assistant | |
Transportation Department | |||
| John Conte | .... | transportation co-captain | |
| Edward Flotard | .... | transportation co-captain | |
| Jimmy Jones | .... | transportation manager | |
| H. William Miller | .... | transportation captain | |
| Joel Renfro | .... | transportation coordinator | |
Other crew | |||
| Stephen Milburn Anderson | .... | location manager (as Steve Anderson) | |
| Wenden K. Baldwin | .... | title designer | |
| Denise Ballantyne | .... | assistant: Mr. Kolar (as Denise Lanzetta) | |
| Fern Baum | .... | development assistant | |
| Arthur Borman | .... | production assistant | |
| Laura Buff | .... | special consultant | |
| Bea Ellen Cameron | .... | intern | |
| Terri Cardinali | .... | design maquettes | |
| Craig Caton | .... | creature crew | |
| Bundy Chanock | .... | set medic | |
| Joe De Reis | .... | design maquettes | |
| Edward J. Franklin | .... | skeletor armory crew | |
| David Gamburg | .... | creative advisor: Mr. Lundgren (as David Gamberg) | |
| Brian Gaughan | .... | production assistant | |
| Adrienne Hamalian-Mangine | .... | script supervisor | |
| Michael Hood | .... | design maquettes | |
| Michael Hosch | .... | lead puppet sculptor | |
| Gretchen Iverson | .... | assistant production coordinator | |
| Karine Jonet | .... | unit publicist | |
| Laine Liska | .... | design maquettes | |
| James D. McGeachy | .... | armour supervisor | |
| Rick Nathanson | .... | production executive | |
| Robert Pederson | .... | unit accountant | |
| Joseph Poma | .... | trainer: Mr. Lundgren (as Josef Poma) | |
| Pat Repola | .... | head lab technician | |
| Brent Scrivener | .... | speciality prop builder | |
| Kyle Seidenbaum | .... | title designer | |
| Barbara Slifka | .... | armour production executive | |
| Joe Straw | .... | production accountant | |
| Merie Weismiller Wallace | .... | assistant: Mr. Goddard | |
| Claire Wilson | .... | assistant: Mr. Edlund | |
| Cynthia R. Woodard | .... | location manager | |
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| Star Wars | The Lord of the Rings: The Two Towers | The Lord of the Rings: The Fellowship of the Ring | Battlestar Galactica | The Transformers: The Movie |
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"I Have the Power!"
For those of us who grew up in the 80's, that phrase is all too familiar. Especially for those who would rush home after school to watch our favorite strongman face off against the forces of evil that threaten the safety and security of his homeworld. For my money, it was never better than when He-Man faced off against Skeletor for the struggle for Eternia.
I also remember the fantasies that I and my friends would have of traveling away to that world of magic and fantasy, to fight alongside He-Man as he defends Grayskull. It truly was a series that was out of this world.
And now it's on Earth.
When I first heard about a live action movie, (mind you, I was twelve at the time), I was overly excited about it. But I didn't get to see it until my late teens. And I must say that it was very well done, especially in its presentation. In fact it brought back those far away childhood memories of those late afternoons in front of the tv, or outside with the toys a make-shift Eternia setting with my friends.
I'll grant a few things that were wrong with the movie though. There were times that I think the script was either badly edited, or just too rushed at certain points. I'm also not thrilled about them being on earth, but understanding budget constraints and the idea to make these characters more real than fantasy help feed into that decision, so I let that one go. I would have also liked to see more of the characters from the toys in the movie, but have no complaints that they made up a few cool characters, like Blade.
The casting choices, I felt, were really good. Dolph Lundgren worked as He-Man, even though he can't act. He looked the part, and even pulled off the role. I could tell that he wasn't walking through the part, as many actor will do with character roles (right Mr. Clooney?). And Frank Langella the PERFECT choice for Skeletor. Langella managed to bring that character to life in a way that gave me chills. Skeletor is perhaps one of the greatest villains ever imagined, but the cartoon made him a cackling villain, who was more a buffoon than anything, therefore he didn't seem threatening. But seeing Langella make Skeletor more dark and evil put my faith back into the conviction as a great villain.
You don't have to be a die hard fan of the series to enjoy the movie. It's great fun, imaginative, and it captures a moment in time. Don't scrutinize the movie because it's different from the cartoon. Look at it for what it is, and don't focus on its faults. It had the power to recapture my imagination, so its not all that bad.