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Cassandra's Dream (2007)
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Overview
User Rating:
Release Date:
26 October 2007 (Spain) moreTagline:
How far will you go to make your dreams come true? morePlot:
The tale of two brothers with serious financial woes. When a third party proposes they turn to crime, things go bad and the two become enemies. full summary | add synopsisNewsDesk:
(6 articles)
What? Colin Farrell as Dr. Watson? I Don't Buy It (From Get The Big Picture. 11 September 2008, 1:12 AM, PDT)
Following Hiatus, Woody Allen Actually Writes Something Funny (From Cinematical. 29 August 2008, 1:03 PM, PDT)
User Comments:
Great acting and interesting writing moreCast
(in credits order) (complete, awaiting verification) | Ewan McGregor | ... | Ian |
 | Colin Farrell | ... | Terry |
 | Peter-Hugo Daly | ... | Boat Owner (as Peter Hugo-Daly) |
| John Benfield | ... | Father |
| Clare Higgins | ... | Mother |
| Ashley Madekwe | ... | Lucy (as Ashley Medekwe) |
| Andrew Howard | ... | Jerry |
| Hayley Atwell | ... | Angela |
| Sally Hawkins | ... | Kate |
| Keith Smee | ... | Terry's Track Mate |
| Stephen Noonan | ... | Mel |
| Dan Carter | ... | Fred |
 | Richard Lintern | ... | Director |
| Jennifer Higham | ... | Helen |
| Lee Whitlock | ... | Mike |
| Michael Harm | ... | Estate Agent |
| Hugh Rathbone | ... | Poker Player |
| Allan Ramsey | ... | Poker Player |
| Paul Marc Davis | ... | Poker Player (as Paul Davis) |
 | Terry Budin-Jones | ... | Poker Player (as Terry Budin Jones) |
| Franck Viano | ... | Poker Player |
| Tommy Mack | ... | Poker Player |
| Milo Bodrozic | ... | Poker Player |
| Emily Gilchrist | ... | Dora |
 | Tom Wilkinson | ... | Howard |
| Philip Davis | ... | Martin Burns (as Phil Davis) |
| George Richmond | ... | Bernard |
| Phyllis Roberts | ... | Burns' Mother (voice) |
| Tamzin Outhwaite | ... | Burns' Date |
| Cate Fowler | ... | Angela's Mom |
| David Horovitch | ... | Angela's Dad |
| Matt Bardock | ... | Jaguar Owner |
| Jim Carter | ... | Garage Boss |
| Tom Fisher | ... | Nigel |
| Paul Gardner | ... | Bentley Salesman |
 | Mark Umbers | ... | Eisley |
| Maggie McCarthy | ... | Servant |
| Richard Graham | ... | Detective |
| Ross Boatman | ... | Detective |
| rest of cast listed alphabetically: | |||
| Tom Clear | ... | Photographer (uncredited) |
 | Kenneth Edelson | ... | Tim - Screenwriter (uncredited) |
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Nicky Kentish Barnes | .... | co-producer | |
| Brahim Chioua | .... | executive producer | |
| Charles H. Joffe | .... | co-executive producer | |
| Vincent Maraval | .... | executive producer | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Stephen Tenenbaum | .... | producer | |
| Gareth Wiley | .... | producer | |
| Daniel Wührmann | .... | executive producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Patricia Kerrigan DiCerto | |||
| Gail Stevens | |||
| Juliet Taylor | |||
Production Design by | |||
| Maria Djurkovic | |||
Set Decoration by | |||
| Tatiana Macdonald | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Francesco Alberico | .... | hair stylist | |
| Sallie Jaye | .... | hair designer | |
| Sallie Jaye | .... | makeup designer | |
| Sharon Martin | .... | makeup artist | |
Production Management | |||
| Tori Parry | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| James Chasey | .... | third assistant director | |
| Todd Embling | .... | assistant director | |
| Ben Howarth | .... | first assistant director | |
| Beatrice Manning | .... | stand-in assistant director | |
| Sam Smith | .... | second assistant director | |
| Catherine Tyler | .... | additional third assistant director | |
Art Department | |||
| Liz Ainley | .... | production buyer | |
| Mat Bergel | .... | stand-by props | |
| David Creed | .... | construction manager | |
| Chris Cull | .... | property master | |
| Jonathan Downing | .... | dressing prop | |
| Catherine Palmer | .... | art department assistant | |
| Stuart Read | .... | dressing props: dailies | |
| Simon Riley | .... | stand-by props | |
| Sarah Stuart | .... | stand-by art director | |
| Ian Taylor | .... | stand-by carpenter | |
Sound Department | |||
| Jorge Adrados | .... | sound assistant | |
| Esther Asiedu-Ofei | .... | sound trainee | |
| Ryan Collison | .... | foley engineer | |
| Lee Dichter | .... | sound re-recording mixer | |
| Peter Glossop | .... | sound mixer | |
| Matthew Haasch | .... | foley supervisor | |
| Robert Hein | .... | sound | |
| Igor Nikolic | .... | foley editor | |
| Dave Paterson | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
Visual Effects by | |||
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Michelle Corney | .... | visual effects producer | |
| Qian Han | .... | digital compositor | |
| Martin Hobbs | .... | head of production | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Madhava Reddy | .... | digital intermediate | |
| Miquel Ubeda | .... | digital compositor: MPC London | |
Stunts | |||
| George Cottle | .... | stunt double | |
| Lee Sheward | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ann Marie Crotty | .... | camera trainee | |
| Brian Greenway | .... | central loader | |
| Keith Hamshere | .... | still photographer | |
| Shaun Mone | .... | electrician | |
| Luke Myslowski | .... | daily grip | |
| Peter Myslowski | .... | key grip | |
| George Richmond | .... | Steadicam operator | |
| George Richmond | .... | camera operator: "a" camera | |
| Jonathan 'Chunky' Richmond | .... | key first assistant camera | |
| Alexandre Szabo-Fresnais | .... | assistant camera | |
Casting Department | |||
| William Davies | .... | casting associate | |
| Julie Schubert | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Karen Beale | .... | costume stand-by | |
| Charlotte Sewell | .... | assistant costume designer | |
Editorial Department | |||
| Lorene Dewett | .... | apprentice editor: dailies | |
| Elise DuRant | .... | assistant editor | |
| Kate Rose Itzkowitz | .... | assistant editor | |
| Scott Kordish | .... | post-production coordinator | |
| Mark Neale | .... | assistant editor: dailies | |
| Morgan Neville | .... | first assistant editor | |
Music Department | |||
| Jim Keller | .... | executive music producer | |
| Michael Riesman | .... | conductor | |
Transportation Department | |||
| Lee Isgar | .... | driver: Ewan Mcgregor | |
Thanks | |||
| Carol Donaldson | .... | grateful acknowledgment | |
| Claudia Downes | .... | grateful acknowledgment | |
| Alberta Ferretti | .... | grateful acknowledgment | |
| Greg Johnson | .... | grateful acknowledgment | |
| Ella Moss | .... | grateful acknowledgment | |
| Emily Young | .... | grateful acknowledgment | |
Production CompaniesDistributors
- A-Film Distribution (2008) (Netherlands) (theatrical)
- A-Film Home Entertainment (2008) (Netherlands) (DVD) (retail)
- Alfa Films (2008) (Argentina) (theatrical)
- Christal Films (2007) (Canada) (all media)
- Constantin Film (2008) (Germany) (theatrical)
- Divisa Home Video (2008) (Spain) (DVD)
- Festive Films (2008) (Singapore) (theatrical)
- Frenetic Films (2007-2008) (Switzerland) (theatrical)
- Golden Village Entertainment (2008) (Singapore) (theatrical)
- Imagem Filmes (2008) (Brazil) (all media)
- Movie Bank (2008) (Netherlands) (DVD) (rental)
- On Pictures (2007) (Spain) (all media)
- Scanbox Entertainment (2007) (Finland) (all media)
- Scanbox Sweden (2007) (Sweden) (theatrical)
- Scanbox Sweden (2008) (Sweden) (DVD)
- Serenity Entertainment International (2008) (Taiwan) (theatrical)
- TFM Distribution (2007) (France) (theatrical)
- Weinstein Company, The (2007) (USA) (theatrical)
- Weinstein Company, The (2008) (Australia) (theatrical)
- Weinstein Company, The (2008) (New Zealand) (theatrical)
- Weinstein Company, The (2008) (USA) (DVD)
- Effects Associates (special effects)
- Moving Picture Company, The (visual effects)
- Casting Collective extras casting
- Dolby Laboratories sound mix
- Lee Lighting lighting
- Media Safety health & safety
- Mr. Youngs Preview Theatre rushes screening
- Panavision UK camera equipment provided by
- Reel Meals catering
- Translux facilities
- audiomachine advertising
Additional Details
MPAA:
Rated PG-13 for thematic elements, some sexual material and brief violence.Parents Guide:
Add content advisory for parentsRuntime:
108 minLanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby DigitalCertification:
Canada:14A | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Finland:K-11 | Portugal:M/16 | USA:PG-13 (certificate #43051) | Ireland:12A | Singapore:PG | Hong Kong:IIA | Sweden:7 | Taiwan:PG-12 | Netherlands:6 | Brazil:14 | Germany:12 | Argentina:16MOVIEmeter: 
18% since last week
why?
Fun Stuff
Trivia:
Colin Farrell said in an interview that he "think[s] [he] did as many takes for this whole film as I did for one scene in Miami Vice (2006)." moreGoofs:
Continuity: The ashtray and the cigarette pack keep appearing and disappearing on the table when Terry is eating with his whole family in the beginning of the movie. moreSoundtrack:
Giving You My Everything moreFAQ
A NOTE REGARDING SPOILERSmore
more
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The writing in this film is brilliant, I think. Although you kinda know whats gonna happen next it never gets boring. It's really a very sad story for those involved, that deals with death and betrayal, but as a spectator you cant help but laugh at it. With worse actors the comical message would probably not reach the audience, but these people really does a good job. Ewan McGregor I've always trusted and he really delivers what in my eyes is his best performance up to date. Colin Farrell on the other hand isn't an actor I've believed in but he surprised me and is really convincing, and funny, especially when he turns into a nervous wreck.
Iam in the unique position of not having seen any of Woodys previous work before seeing this film. Unlike fans of Woody Allen, I can't see anything bad about this film. It's good entertainment, the best movie I've seen at the cinema this year, if anything it makes me wanna see more of Woodys films.