| Photos (see all 47 | slideshow) | Videos (see all 14) |
| Amy Poehler | ... | Angie Ostrowiski | |
| Tina Fey | ... | Kate Holbrook | |
| Greg Kinnear | ... | Rob Ackerman | |
| Dax Shepard | ... | Carl Loomis | |
| Romany Malco | ... | Oscar | |
| Sigourney Weaver | ... | Chaffee Bicknell | |
| Steve Martin | ... | Barry | |
| Maura Tierney | ... | Caroline | |
| Stephen Mailer | ... | Dan | |
| Holland Taylor | ... | Rose Holbrook | |
| James Rebhorn | ... | Judge | |
| Denis O'Hare | ... | Dr. Manheim | |
| Kevin Collins | ... | Architect / Rick | |
| Will Forte | ... | Scott | |
| Fred Armisen | ... | Stroller Salesman | |
| John Hodgman | ... | Fertility Specialist | |
| Siobhan Fallon | ... | Birthing Teacher (as Siobhan Fallon Hogan) | |
| Thomas McCarthy | ... | Kate's Date (as Tom McCarthy) | |
| Jason Mantzoukas | ... | 1 / 2 of Gay Couple | |
| Dave Finkel | ... | 1 / 2 of Gay Couple | |
| Brian Stack | ... | Dave | |
| Felicity Stiverson | ... | Ashley - Wiccan | |
| Anne L. Nathan | ... | Bookstore Clerk | |
| Jay Phillips | ... | Boo-Boo Buster | |
| Kathy Searle | ... | Cool Mom | |
| Almeria Campbell | ... | Maternity Nurse | |
| Alice Kremelberg | ... | Rob's Daughter | |
| Catherine Rose | ... | Caroline's 4-Year-Old | |
| Ian Colletti | ... | Caroline's 7-Year-Old | |
| Eric Zuckerman | ... | Community Member #1 | |
| Frank Rodriguez | ... | Community Member #2 | |
| Diane Chen | ... | Community Member #3 | |
| Andra Eggleston | ... | Waitress | |
| Andrew Hillmedo Jr. | ... | Dante | |
| Jon Glaser | ... | Vegan Waiter | |
| Erica Berg | ... | Yoga Mom | |
| Curt Carlson | ... | Bailiff | |
| rest of cast listed alphabetically: | |||
| Kordelia | ... | Waitress (as Kordelia Mages) | |
| Andrea Castro | ... | Chaffee's Nanny (uncredited) | |
| Kimberly Dorsey | ... | Neighbor with Toy Poodle (uncredited) | |
| Antwoin Hagood | ... | Clubber (uncredited) | |
| Torrance Harvey | ... | Lamaze Dad (uncredited) | |
| Mark A. Keeton | ... | Denim Suit Guy (uncredited) | |
| RJ Konner | ... | Man on the Street (uncredited) | |
| Kimberly Magness | ... | Lead Hip Hop Dancer (uncredited) | |
| Lana May | ... | Hot club dancer (uncredited) | |
| Annie Rohling | ... | Patron at Restaurant (uncredited) | |
| Giovanni Roselli | ... | The Club Guido (uncredited) | |
Directed by | |||
| Michael McCullers | |||
Writing credits(WGA) | ||
| Michael McCullers | (written by) | |
Produced by | |||
| John Goldwyn | .... | producer | |
| Jill Sobel Messick | .... | executive producer | |
| Lorne Michaels | .... | producer | |
| Louise Rosner | .... | executive producer | |
Original Music by | |||
| Jeff Richmond | |||
Cinematography by | |||
| Daryn Okada | |||
Film Editing by | |||
| Bruce Green | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Jess Gonchor | |||
Art Direction by | |||
| David Swayze | |||
Set Decoration by | |||
| Susan Bode | (as Susan Bode-Tyson) | ||
Costume Design by | |||
| Renee Ehrlich Kalfus | |||
Makeup Department | |||
| Richard Dean | .... | makeup department head | |
| Donna Marie Fischetto | .... | hair co-department head | |
| Michelle Johnson | .... | hair co-department head | |
| Jenn 'Jorge' Nelson | .... | co-head makeup department | |
| Stephanie Pasicov | .... | on-set special makeup effects artist | |
| Anita Roganovic | .... | key hair stylist (as Anita Lausevic) | |
| Julie Teel | .... | makeup artist (uncredited) | |
Production Management | |||
| David Bausch | .... | production supervisor | |
| Louise Rosner | .... | unit production manager | |
Art Department | |||
| Glen Aldous | .... | scenic | |
| Steve Brennan | .... | key on-set dresser | |
| Jen Day | .... | art department assistant: reshoots | |
| Jerry DeRogatis | .... | set dresser | |
| Frank Didio | .... | co-construction coordinator | |
| Steven Glazman | .... | storyboard artist | |
| Apache Gonzalez | .... | set dresser | |
| Alex Gorodetsky | .... | charge scenic artist | |
| Bruce Lee Gross | .... | leadman | |
| Jay Hendrickx | .... | camera scenic artist | |
| Gina Herold | .... | art department coordinator | |
| Gregory Hill | .... | assistant art director | |
| Mark Hurtado | .... | storyboard artist | |
| Heather Danielle Kane | .... | property master | |
| Robin McAllister | .... | assistant property master | |
| Victor Morales | .... | scenic | |
| Eric Pastore | .... | set dresser | |
| Ron Petagna | .... | construction coordinator | |
| Ronnie Petagna | .... | shop foreman | |
| Daniel Rosenfeld | .... | scenic shopman | |
| Amy Safhay | .... | lead greensperson | |
| Jennifer Santucci | .... | set dresser | |
| Omar Vaid | .... | set dresser | |
| Greg Voth | .... | graphic artist: props | |
| James Whelan | .... | set dresser | |
Sound Department | |||
| Robert Althoff | .... | sound re-recordist | |
| Paul Aulicino | .... | sound effects editor | |
| Allan Byer | .... | sound mixer | |
| Marc Deschaine | .... | first assistant sound editor | |
| Marc Fishman | .... | sound re-recording mixer | |
| Mike Howells | .... | adr recordist | |
| Bobby Johanson | .... | adr mixer | |
| Tony Lamberti | .... | sound re-recording mixer | |
| Michelle Pazer | .... | dialog editor | |
| Paul Pouthier | .... | second boom operator | |
| Becky Sullivan | .... | supervising sound editor | |
| David Williams | .... | dialogue editor | |
Visual Effects by | |||
| Akemi Abe | .... | compositor | |
| Akemi Abe | .... | digital artist | |
| Ryan Beadle | .... | digital I/O | |
| Sam Dabbs | .... | end titles | |
| Shaina Holmes | .... | digital compositor | |
| Sean Kennedy | .... | digital effects artist: Pacific Vision Productions | |
| Paulina Kuszta | .... | visual effects coordinator | |
| Madhava Reddy | .... | digital intermediate | |
| Wilson Tang | .... | digital restoration | |
Stunts | |||
| Jill Brown | .... | assistant stunt coordinator | |
| Blaise Corrigan | .... | stunt coordinator | |
| Joe Mancini | .... | precision driver | |
Casting Department | |||
| Elizabeth Dionne | .... | casting manager | |
| Lois J. Drabkin | .... | casting associate | |
| Barbara McNamara | .... | extras casting director | |
| Leeba Zakharov | .... | casting assistant | |
| John Girod | .... | extras casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Susan Bakula | .... | costume shop supervisor | |
| Trenee Clayton | .... | set costumer | |
| Barbara Hause | .... | wardrobe supervisor | |
| Bryan Mathison | .... | set costumer | |
| Alethea McElroy | .... | set costumer | |
| Brianna Patterson | .... | costume production assistant | |
| Jennifer Rogien | .... | assistant costume designer | |
| Elizabeth Shelton | .... | associate costume designer | |
| Adam Watt | .... | costume assistant | |
Editorial Department | |||
| David S. Clark | .... | first assistant editor (as Dave Clark) | |
| Ally Garrett | .... | assistant editor | |
| Christian Miglio | .... | first assistant editor | |
| Carrie Puchkoff | .... | assistant editor: New York | |
| Jeff Smithwick | .... | digital film colorist | |
| Lora Sorrentino | .... | editorial production assistant | |
| Laura Steiger | .... | first assistant editor (as Laura Yanovich) | |
| Lee Wimer | .... | color timer | |
| Mark Sahagun | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Andrew Dorfman | .... | music editor | |
| Bruce Fowler | .... | orchestrator | |
| Rick Giovinazzo | .... | orchestrator | |
| Yvonne S. Moriarty | .... | orchestrator | |
| Kathy Nelson | .... | music supervisor | |
| Jason Poss | .... | score supervisor | |
| Tim Rodier | .... | music preparation | |
| Fred Vogler | .... | scoring mixer | |
| Gina Zimmitti | .... | orchestra contractor | |
Transportation Department | |||
| James Fanning | .... | transportation captain | |
| Amber R. Kirsch | .... | transportation | |
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| News articles | IMDb Comedy section | IMDb USA section |
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Saturday Night Live, whether or not you consider it still funny, is going through a great period. Ratings are fairly high coming off of the writers' strike. The show is riding the Democratic nomination race wave pretty well, featuring either Clinton, Obama, or both in at least one sketch per episode. Due to their recent successes, it makes sense that SNL's comedians want to branch out into movies like they successfully did in the 90s with Wayne's World. Baby Mama serves as one of these movies, featuring Tina Fey and Amy Poehler at the helm and at least two more members from the SNL team in the background, namely Will Forte and Fred Armisen. Steve Martin, a frequent SNL host, can also be found in this movie. After reading the character list, it's clear where the SNL comparisons and references come from.
Considering its origins and its genre abroad, I went into the theater with relatively low expectations. At most, I hoped for a sort of feel-good comedy that had a lot of laugh scenes that made up for some corny drama scenes. I got the laugh scenes, but surprisingly, the drama scenes weren't very corny. Baby Mama, as can be determined from the title, deals with Kate Holbrook (Tina Fey's character), a powerful businesswoman and executive in an organic foods company and her burning desire to have a baby and build a family, regardless of the difficulties. Unlike most comedies, this is actually a surprisingly serious topic, which enhances the dramatic parts of the plot quite a bit. You can actually take the characters and the story line quite seriously. Actually, Kate's character is almost entirely serious, aside from the occasional jokes on how uptight and socially inept she can be. Most of the laughs come from Angie Ostrowiski (Amy Poehler's character), a not exactly high-class girl working for Chaffee Bicknell's (played by Sigourney Weaver) surrogacy agency that offers to be Kate's surrogate after Kate attempts and fails to get pregnant multiple times. As can be expected from Poehler, Angie is completely and totally ridiculous. Poehler is actually extremely good in this role, since she manages to play a "white trash" stereotypical character without coming off as corny, or at least most of the time.
Don't get me wrong; there are times when you can't help but cringe. A small portion of the humor is just far too corny, and can't make you laugh no matter how ready you are to laugh. However, anyone who watches Saturday Night Live is already used to this, since everyone knows that not every SNL skit is funny. Not by a long shot. However, the entire movie is irresistibly cute. The character development is fantastic, and Poehler and Fey working together really carries the entire movie. In fact, the men in the story are almost entirely irrelevant. Carl (played by Dax Shepard), Angie's low-class, tactless boyfriend, could have been much funnier than he actually is. Rob (played by Greg Kinnear), although a nice character and a nice addition, really only serves as an attractive male (and yes, he is very attractive in this movie) and someone to move the story along a little bit. Barry (played by Steve Martin), the president of the organic food company Kate works for, is an absolutely insane hippie that provides a lot of humor to the parts of the movie where Kate is at work. Five minutes of uninterrupted eye contact, anyone? (You'll get it when you watch the movie.)
At the end of the movie, you do really feel for the characters, or at least Angie and Kate. The other characters are sort of background even at the end, but they're still necessary, since there would be no offset to the Fey-Poehler humor that can just be taken in small doses to avoid becoming too corny to be enjoyable. I did find myself screaming on the inside a little at the end, because there's a gigantic time gap that left a lot of questions unanswered and irritated me quite a lot, but in reality, in order to fill out the entire story, this would either have to be a 3 hour movie, or there would have to be a sequel. This isn't the kind of movie to have a sequel, so I can see why they did it. I just think that some of the time that they wasted on Carl could have been used to develop that a little more.
Overall, Baby Mama is cute, and that's all I can see it ever trying for. It also seems to me to test the waters a little bit for a Fey and Poehler match-up that, when smoothed out a little around the edges, will be a very strong comedy duo. I did enjoy this film very much, and I would highly recommend it to someone who watches SNL frequently and likes Poehler's style of humor, or someone who just wants to go to the movies to have fun and feel good. It's certainly worth it. However, what I find more significant at the moment is my excitement for films in the future that will feature Fey and Poehler, and I truly hope that the film industry doesn't miss out on this potentially hilarious team. I'll be eagerly awaiting the day when I see them working together again - this is a first time, and it can only get better from here.